斯基普斯夫人的幸福结局:雷诺兹和劳伦斯的肖像

IF 0.1 3区文学 0 LITERATURE, ROMANCE NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2021-12-01 DOI:10.5325/ninecentstud.33.0158

Aimee Ng

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引用次数: 0

摘要

这篇文章探讨了18世纪末和19世纪初英国绘画中传记和肖像之间的关系。关于由约书亚·雷诺兹爵士(1723-92)和托马斯·劳伦斯爵士(1769-1830)共同描绘的斯基普维斯夫人塞琳娜(1752-1832)的新传记信息，为研究艺术史调查中传记的可能性和局限性提供了机会。

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A Happy Ending for Lady Skipwith: Portraits by Reynolds and Lawrence

This essay explores the relationship between biography and portraiture in British paintings of the late eighteenth and early nineteenth century. New biographical information about Selina, Lady Skipwith (1752–1832), a sitter portrayed by both Sir Joshua Reynolds (1723–92) and Sir Thomas Lawrence (1769–1830), offers opportunities to examine the possibilities and limits of biography in art historical investigation.

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来源期刊

NINETEENTH-CENTURY FRENCH STUDIES LITERATURE, ROMANCE-

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0.20

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0.00%

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期刊介绍： Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.