{"title":"Gaita Zuliana与Hugo的对抗Chávez在委内瑞拉:1999-2003","authors":"Gabriel E Andrade","doi":"10.1080/01411896.2021.1875786","DOIUrl":null,"url":null,"abstract":"ABSTRACT Despite his popularity throughout his tenure as President of Venezuela, Hugo Chávez’s populist style aroused confrontation. This confrontation took place in media, and music was not spared. One particular musical genre, gaita zuliana, was used as an expression of dissatisfaction with Chávez’s policies and attitudes. This article analyzes the most relevant protest gaitas composed in a relatively short period of time (1999–2003) by the bands Gran Coquivacoa, Koquimba, and Barrio Obrero. Although in subsequent years protest gaitas all but disappeared, the creative wave of protest gaita in this period still resonates today, as Venezuelans still listen intently to these songs.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003\",\"authors\":\"Gabriel E Andrade\",\"doi\":\"10.1080/01411896.2021.1875786\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Despite his popularity throughout his tenure as President of Venezuela, Hugo Chávez’s populist style aroused confrontation. This confrontation took place in media, and music was not spared. One particular musical genre, gaita zuliana, was used as an expression of dissatisfaction with Chávez’s policies and attitudes. This article analyzes the most relevant protest gaitas composed in a relatively short period of time (1999–2003) by the bands Gran Coquivacoa, Koquimba, and Barrio Obrero. Although in subsequent years protest gaitas all but disappeared, the creative wave of protest gaita in this period still resonates today, as Venezuelans still listen intently to these songs.\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2021.1875786\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2021.1875786","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003
ABSTRACT Despite his popularity throughout his tenure as President of Venezuela, Hugo Chávez’s populist style aroused confrontation. This confrontation took place in media, and music was not spared. One particular musical genre, gaita zuliana, was used as an expression of dissatisfaction with Chávez’s policies and attitudes. This article analyzes the most relevant protest gaitas composed in a relatively short period of time (1999–2003) by the bands Gran Coquivacoa, Koquimba, and Barrio Obrero. Although in subsequent years protest gaitas all but disappeared, the creative wave of protest gaita in this period still resonates today, as Venezuelans still listen intently to these songs.
期刊介绍:
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.