Gaita Zuliana与Hugo的对抗Chávez在委内瑞拉:1999-2003

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-02-16 DOI:10.1080/01411896.2021.1875786
Gabriel E Andrade
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引用次数: 0

摘要

尽管在委内瑞拉总统任期内颇受欢迎,但雨果Chávez的民粹主义风格却引发了对抗。这种对抗发生在媒体上,音乐也未能幸免。一种特殊的音乐类型,gaita zuliana,被用来表达对Chávez政策和态度的不满。本文分析了Gran Coquivacoa, Koquimba和Barrio Obrero乐队在相对较短的时间内(1999-2003)创作的最相关的抗议歌。尽管在随后的几年里,抗议盖塔几乎消失了,但这一时期抗议盖塔的创造性浪潮今天仍然引起共鸣,因为委内瑞拉人仍然专注地听这些歌曲。
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Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003
ABSTRACT Despite his popularity throughout his tenure as President of Venezuela, Hugo Chávez’s populist style aroused confrontation. This confrontation took place in media, and music was not spared. One particular musical genre, gaita zuliana, was used as an expression of dissatisfaction with Chávez’s policies and attitudes. This article analyzes the most relevant protest gaitas composed in a relatively short period of time (1999–2003) by the bands Gran Coquivacoa, Koquimba, and Barrio Obrero. Although in subsequent years protest gaitas all but disappeared, the creative wave of protest gaita in this period still resonates today, as Venezuelans still listen intently to these songs.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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