流行音乐死亡之年:名人悲痛、记忆、媒体与世代

Q1 Social Sciences Comunicacion y Sociedad Pub Date : 2019-01-01 DOI:10.26350/001200_000065
F. Pasquali
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引用次数: 0

摘要

2016年是流行音乐的恐怖之年,大卫·鲍伊、乔治·迈克尔和普林斯等音乐艺术家的离世引发了大量的纪念活动,既有自发的,也有媒体和名人圈的活动,网上表达的悲痛程度令人印象深刻。在社会生成研究、名人理论和死亡研究的框架下,本文对这三个案例提出了一些假设,即名人的死亡在作为“话语表达”的代际身份建构中所起的作用,其中特定的媒体实践/表征(在我们的案例中,哀悼实践)在使代际叙事围绕共同的符号和语义核心聚集在一起方面起着至关重要的作用。
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The Year Pop died: Celebrity Grief, Memory, Media and Generations
In 2016 – the annus horribilis of pop – the death of music artists such as David Bowie, George Michael and Prince produced a prodigious amount of commemorative initiatives, both spontaneously and within the media and celebrity worlds, with an impressive level of online expressions of grief. Addressing these three cases within the framework of social generation studies, celebrity theory and death studies, the paper proposes some hypotheses on the role that the death of celebrities plays in the construction of generational identity as “discursive articulation” where specific media practices/representations (in our case, mourning practices) play a crucial role in making generational narratives group together around shared symbolic and semantic cores.
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来源期刊
Comunicacion y Sociedad
Comunicacion y Sociedad Social Sciences-Communication
CiteScore
3.20
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