10 - 12世纪波罗的海地区艺术研究的新视角——斯堪的纳维亚与古罗斯艺术互动问题

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie Pub Date : 2023-01-01 DOI:10.21638/spbu15.2023.209
N. Tochilova
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引用次数: 0

摘要

这项研究的目的是研究斯堪的纳维亚半岛以外的斯堪的纳维亚艺术的发展。主要关注的是10 - 12世纪俄罗斯西北部应用艺术发展过程中伯尔风格元素的影响。艺术影响的主要来源不应该是斯堪的纳维亚半岛,而是斯堪的纳维亚艺术的传播地区,特别是波美拉尼亚和不列颠群岛。风格分析揭示了相同装饰元素的使用,其中主要地方有高度简化的Borre风格图案(链条和尺度图案),辅以双重轮廓和凹槽。我们可以用诺夫哥罗德大帝的木雕工艺品来追溯波尔的同化过程。这种艺术在10世纪的发展受到了维京时代艺术的影响。这些风格特征的保存可以追溯到诺夫哥罗德艺术,直到12世纪。这种现象的实际问题之一是对装饰方案和主要视觉元素外观的分析。
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New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’
The aim of this research is to study the development of Scandinavian art outside of Scandinavia. The main attention is focused on the process of influence of the Borre style elementon the applied art development in North-West Russia of the 10th–12th centuries. The main sources of artistical influence should be not Scandinavia, but the territory of distribution of Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates the use of identical elements of decor, where the main place have the highly simplified Borre style motifs (chains and scale motifs), supplemented by a double contour and hatching. It is possible to trace the process of Borre’s assimilation using carved wooden artefacts from Novgorod the Great. Development of this art in the 10th century was influenced by the art of Viking Age. The preservation of these stylistic features can be traced in Novgorod art up to and including the 12th century. One of the actual problems of this phenomenon is the analysis of the decorative schemes and the appearance of the main visual elements.
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
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