{"title":"10 - 12世纪波罗的海地区艺术研究的新视角——斯堪的纳维亚与古罗斯艺术互动问题","authors":"N. Tochilova","doi":"10.21638/spbu15.2023.209","DOIUrl":null,"url":null,"abstract":"The aim of this research is to study the development of Scandinavian art outside of Scandinavia. The main attention is focused on the process of influence of the Borre style elementon the applied art development in North-West Russia of the 10th–12th centuries. The main sources of artistical influence should be not Scandinavia, but the territory of distribution of Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates the use of identical elements of decor, where the main place have the highly simplified Borre style motifs (chains and scale motifs), supplemented by a double contour and hatching. It is possible to trace the process of Borre’s assimilation using carved wooden artefacts from Novgorod the Great. Development of this art in the 10th century was influenced by the art of Viking Age. The preservation of these stylistic features can be traced in Novgorod art up to and including the 12th century. One of the actual problems of this phenomenon is the analysis of the decorative schemes and the appearance of the main visual elements.","PeriodicalId":40378,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","volume":"60 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’\",\"authors\":\"N. Tochilova\",\"doi\":\"10.21638/spbu15.2023.209\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this research is to study the development of Scandinavian art outside of Scandinavia. The main attention is focused on the process of influence of the Borre style elementon the applied art development in North-West Russia of the 10th–12th centuries. The main sources of artistical influence should be not Scandinavia, but the territory of distribution of Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates the use of identical elements of decor, where the main place have the highly simplified Borre style motifs (chains and scale motifs), supplemented by a double contour and hatching. It is possible to trace the process of Borre’s assimilation using carved wooden artefacts from Novgorod the Great. Development of this art in the 10th century was influenced by the art of Viking Age. The preservation of these stylistic features can be traced in Novgorod art up to and including the 12th century. One of the actual problems of this phenomenon is the analysis of the decorative schemes and the appearance of the main visual elements.\",\"PeriodicalId\":40378,\"journal\":{\"name\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"volume\":\"60 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu15.2023.209\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu15.2023.209","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’
The aim of this research is to study the development of Scandinavian art outside of Scandinavia. The main attention is focused on the process of influence of the Borre style elementon the applied art development in North-West Russia of the 10th–12th centuries. The main sources of artistical influence should be not Scandinavia, but the territory of distribution of Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates the use of identical elements of decor, where the main place have the highly simplified Borre style motifs (chains and scale motifs), supplemented by a double contour and hatching. It is possible to trace the process of Borre’s assimilation using carved wooden artefacts from Novgorod the Great. Development of this art in the 10th century was influenced by the art of Viking Age. The preservation of these stylistic features can be traced in Novgorod art up to and including the 12th century. One of the actual problems of this phenomenon is the analysis of the decorative schemes and the appearance of the main visual elements.