{"title":"编舞特丽莎·布朗的《平局》(2002-3)","authors":"S. Rosenberg","doi":"10.1086/716333","DOIUrl":null,"url":null,"abstract":"At the 2002 Montpellier Danse festival, choreographer Trisha Brown (1936–2017) premiered a new hybrid work of dance and drawing. Through the project’s title, It’s a Draw, she encapsulated the ambiguity governing her combination of these two mediums in a single performative artwork. From July 1 to July 6, 2002, in the festival’s nonproscenium Studio/Théâtre du Hangar, Brown presented live improvisational dance and used improvised movement to draw, producing three ten-byeight-foot works per night: nine drawings in all. As Jean-Paul Montanari,","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":"34 1","pages":"269 - 278"},"PeriodicalIF":0.2000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Choreographer Trisha Brown’s It’s a Draw (2002–3)\",\"authors\":\"S. Rosenberg\",\"doi\":\"10.1086/716333\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At the 2002 Montpellier Danse festival, choreographer Trisha Brown (1936–2017) premiered a new hybrid work of dance and drawing. Through the project’s title, It’s a Draw, she encapsulated the ambiguity governing her combination of these two mediums in a single performative artwork. From July 1 to July 6, 2002, in the festival’s nonproscenium Studio/Théâtre du Hangar, Brown presented live improvisational dance and used improvised movement to draw, producing three ten-byeight-foot works per night: nine drawings in all. As Jean-Paul Montanari,\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":\"34 1\",\"pages\":\"269 - 278\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/716333\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/716333","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
在2002年的蒙彼利埃舞蹈节上,编舞家特丽莎·布朗(1936-2017)首次推出了舞蹈和绘画的新混合作品。通过这个项目的标题,她将这两种媒介结合在一起的模糊性浓缩在了一件行为艺术作品中。从2002年7月1日到7月6日,在音乐节的非舞台工作室/ th tre du Hangar,布朗表演现场即兴舞蹈,并用即兴动作绘画,每晚创作三幅10英尺高的作品,总共九幅。正如让-保罗·蒙塔纳里所说,
At the 2002 Montpellier Danse festival, choreographer Trisha Brown (1936–2017) premiered a new hybrid work of dance and drawing. Through the project’s title, It’s a Draw, she encapsulated the ambiguity governing her combination of these two mediums in a single performative artwork. From July 1 to July 6, 2002, in the festival’s nonproscenium Studio/Théâtre du Hangar, Brown presented live improvisational dance and used improvised movement to draw, producing three ten-byeight-foot works per night: nine drawings in all. As Jean-Paul Montanari,