重读海明威的《流动的盛宴》和麦克莱恩的《巴黎之妻》

Claire Marrone
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引用次数: 1

摘要

摘要:葆拉•麦克莱恩在《巴黎之妻》(2012)这部历史小说中,对欧内斯特•海明威1964年去世后出版的回忆录《流动的盛宴》做出了回应。麦克莱恩详细描述了海明威在巴黎的岁月,重点是海明威的第一任妻子哈德利·理查森。我认为麦克莱恩将自己定位为《移动盛宴》的理想读者,并邀请她的读者参与类似的发现过程。对海明威回忆录有深刻了解的读者可以扣心扣眼地看到麦克莱恩在写什么,反对什么,补充什么,创造性地“完成”什么。此外,当前关于性政治的争论让读者可以从新的角度来看待《巴黎之妻》。
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Revisiting and Rereading Hemingway's: A Moveable Feast and McLain's The Paris Wife
Abstract:In The Paris Wife (2012), a work of historical fiction, Paula McLain offers a response to Ernest Hemingway's memoir A Moveable Feast, published posthumously in 1964. McLain elaborates on the Paris years, focusing on Hemingway's first wife Hadley Richardson. I argue that McLain positions herself as an ideal reader of AMoveable Feast and invites her readers to engage in a similar process of discovery. Readers with a keen knowledge of Hemingway's memoir can grippingly see what McLain is writing against, complementing and creatively "completing." Further, current debates on sexual politics allow readers to approach The Paris Wife from new perspectives.
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