Verba aliter的用法和样例

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2017-12-01 DOI:10.1017/rmu.2017.1
C. Trinacty, C. Sampson
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引用次数: 0

摘要

塞内加认识到诗歌的力量。在他的散文作品中,他讨论了诗歌如何为道德句子增添冲击力,他在信件和对话中穿插了维吉尔、奥维德等人的诗句。塞内加主要关注的是伦理问题,所以很少具体谈论诗学。但是,在格里乌斯保存的一个片段中(12.2.2-13),他指责恩尼乌斯过时,并在其他地方写道,最好是活着,现在(即公元一世纪)写作,因为人们可以借鉴许多伟大的文学作品:“人们发现已经准备好的词语,当它们被不同的定位时,创造了一种新的形式。”对新奇事物的偏爱并不是对传统视而不见,尽管诗歌是一种需要谨慎处理的资源:诗人创作的诗句值得哲学家(Ep. 8.8, Nat. 4 . a.p .19),但有时他们的话语可能是危险的,激发我们的激情(Ep. 115.12),我们的恐惧(Dial. 6.19.4),甚至传播错误信息(Dial. 7.26.6)。
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VERBA ALITER INSTRVCTA: SENECAN POETICS
Seneca recognizes the power of poetry. In his prose works, he discusses how poetry adds punch to moral sententiae, and he peppers his letters and dialogues with lines from Virgil, Ovid, and others. Seneca is there typically concerned with ethical matters and so seldom has much to say about poetics specifically. But, in a fragment preserved by Gellius (12.2.2-13), he faults Ennius as old-fashioned, and elsewhere writes that it is best to be alive and writing now (i.e. the first century CE) because of the many great works of literature one can draw upon: ‘one discovers words already prepared, which, when positioned differently, create a new form.’ The predilection for novelty is not blind to tradition, though poetry is a resource that requires careful handling: poets compose lines worthy of philosophers (Ep. 8.8, Nat. 4a.pr.19), but sometimes their words can be dangerous, arousing our passions (Ep. 115.12), our fears (Dial. 6.19.4), or even propagating misinformation (Dial. 7.26.6).
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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