{"title":"乌里·卡哈纳的《不可能的自治》:摩西·沙米尔的《他在田野里行走》和1950年代以色列的社会自由问题","authors":"Kfir Cohen Lustig","doi":"10.2979/prooftexts.38.3.03","DOIUrl":null,"url":null,"abstract":"Abstract:This article provides a new reading of Moshe Shamir's He Walked in the Fields (Hu halakh basadot). In Hebrew literary historiography as well as popular culture, Shamir's novel—specifically its main protagonist, Uri—is read as an ideal, almost mythic representative of Zionist values, embodying patriotic sacrifice and virile masculinity. Contemporary readings of the novel have rightfully challenged this understanding, showing that Uri's character is not an ideal type of Zionist patriotic masculinity but a figure of its impossibility and failure. The reading in this article generally agrees with this revisionist line, but it is different from current readings in that it moves away from the main preoccupation of Hebrew literary studies to categorize Hebrew novels as affirmative or critical of Zionist ideology. Instead, it expands our understanding of Zionism from narrative and ideology to a historical form of life and situates the novel as a response to the historical tensions underlying it in the period during which the novel was written. Specifically, the author sees Shamir as trying to think through political questions of autonomy and heteronomy and to experiment with structure and character in order to engage with the question of freedom. In this effort, I retrieve the character of Rutka, who is usually sidelined in readings of the novel, and show her importance for Shamir's political thought.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":"24 1","pages":"532 - 556"},"PeriodicalIF":0.2000,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Uri Kahana's Impossible Autonomy: Moshe Shamir's He Walked in the Fields and the Question of Social Freedom in 1950s Israel\",\"authors\":\"Kfir Cohen Lustig\",\"doi\":\"10.2979/prooftexts.38.3.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article provides a new reading of Moshe Shamir's He Walked in the Fields (Hu halakh basadot). In Hebrew literary historiography as well as popular culture, Shamir's novel—specifically its main protagonist, Uri—is read as an ideal, almost mythic representative of Zionist values, embodying patriotic sacrifice and virile masculinity. Contemporary readings of the novel have rightfully challenged this understanding, showing that Uri's character is not an ideal type of Zionist patriotic masculinity but a figure of its impossibility and failure. The reading in this article generally agrees with this revisionist line, but it is different from current readings in that it moves away from the main preoccupation of Hebrew literary studies to categorize Hebrew novels as affirmative or critical of Zionist ideology. Instead, it expands our understanding of Zionism from narrative and ideology to a historical form of life and situates the novel as a response to the historical tensions underlying it in the period during which the novel was written. Specifically, the author sees Shamir as trying to think through political questions of autonomy and heteronomy and to experiment with structure and character in order to engage with the question of freedom. In this effort, I retrieve the character of Rutka, who is usually sidelined in readings of the novel, and show her importance for Shamir's political thought.\",\"PeriodicalId\":43444,\"journal\":{\"name\":\"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY\",\"volume\":\"24 1\",\"pages\":\"532 - 556\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-09-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/prooftexts.38.3.03\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/prooftexts.38.3.03","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Uri Kahana's Impossible Autonomy: Moshe Shamir's He Walked in the Fields and the Question of Social Freedom in 1950s Israel
Abstract:This article provides a new reading of Moshe Shamir's He Walked in the Fields (Hu halakh basadot). In Hebrew literary historiography as well as popular culture, Shamir's novel—specifically its main protagonist, Uri—is read as an ideal, almost mythic representative of Zionist values, embodying patriotic sacrifice and virile masculinity. Contemporary readings of the novel have rightfully challenged this understanding, showing that Uri's character is not an ideal type of Zionist patriotic masculinity but a figure of its impossibility and failure. The reading in this article generally agrees with this revisionist line, but it is different from current readings in that it moves away from the main preoccupation of Hebrew literary studies to categorize Hebrew novels as affirmative or critical of Zionist ideology. Instead, it expands our understanding of Zionism from narrative and ideology to a historical form of life and situates the novel as a response to the historical tensions underlying it in the period during which the novel was written. Specifically, the author sees Shamir as trying to think through political questions of autonomy and heteronomy and to experiment with structure and character in order to engage with the question of freedom. In this effort, I retrieve the character of Rutka, who is usually sidelined in readings of the novel, and show her importance for Shamir's political thought.
期刊介绍:
For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.