黑色成人礼

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Nordisk Judaistik-Scandinavian Jewish Studies Pub Date : 2022-06-27 DOI:10.30752/nj.115204
Anders Ackfeldt, E. Magnusson
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引用次数: 0

摘要

一般来说,在美国流行文化中,尤其是在美国制作的嘻哈歌词中,提到犹太人和犹太人话语中的事情是司空见惯的。本文讨论的是后者,目的是分析犹太人在那里是如何被代表的。在此建议1。根据齐格蒙特·鲍曼创造的术语:异族主义,即犹太人是“他者”,对这些表述进行分析,就可以理解了。这篇文章进一步表明2。如果不研究美国犹太人和非裔美国人之间的历史关系,就无法理解歌词中对犹太人的表现。杰弗里·梅尔尼克认为,这种关系的特点是“强烈的矛盾”。本文得出的结论是,犹太人的形象借鉴了经典的阴谋论和经济反犹主义思想,这些思想将犹太人置于阴暗的(经济和工具)权力领域,但有时可以理解为哲学家,因为犹太人被描绘成富有和有影响力的榜样。因此,使用术语异族主义来分析经验主义。
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The black bar mitzvah
References to Jews and to matters included in Jewish discourse are commonplace in US popular culture in general and in US-produced hip-hop lyrics in particular. This article deals with the latter, and aims to analyse how Jews are represented there. It is suggested here that 1. these representations are rendered comprehensible by analysing them in the light of the term coined by Zygmunt Bauman: allosemitism, which denotes that Jews are ‘other’. This article further suggests that 2. the representations of Jews featured in the lyrics cannot be made comprehensible without looking into the historical relations between American Jews and African Americans. According to Jeffrey Melnick, this relation is characterised by ‘robust ambivalences’. This article arrives at the conclusion that the representations of Jews draw on classical conspiratorial and economic antisemitic ideas that situate Jews within the realms of shadowy (economic and instrumental) power, but which at times can be understood as philosemitic, as Jews are represented as wealthy and influential role models. Hence the usage of the term allosemitism to analyse the empirics.
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来源期刊
Nordisk Judaistik-Scandinavian Jewish Studies
Nordisk Judaistik-Scandinavian Jewish Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
9
审稿时长
20 weeks
期刊最新文献
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