{"title":"世界之间:考虑《罗安语的秘密》中的凯尔特女性身份","authors":"Emily F. Selby, D. Dixon","doi":"10.1080/09663699825304","DOIUrl":null,"url":null,"abstract":"This article explores the ways in which Celtic oral traditions concerning the 'place' of women are replayed within a contemporary textual form, namely the 1995 film, The Secret of Roan Inish. Through an examination of the representation of gender relations within the film, we address how the incorporation of mythic elements is intended to provide a sense of female 'empowerment'. While the film has been praised for its positive portrayal of Irish Celtic women, we suggest that the various qualities of strength associated with the female lead characters are expressed within the context of a discursive framework that valorizes certain roles and behavior as 'natural' at the expense of other modes of life, and, further, ties the construction of subject identities into a fixed, or essentialist, notion of 'place'. Rather than presume that this filmic vision of Irish Celtic feminine identities is intrinsically regressive, however, we note that in our act of viewing Roan Inish those identities are recontextualized ...","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"49 1","pages":"5-28"},"PeriodicalIF":1.2000,"publicationDate":"1998-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Between Worlds: Considering Celtic feminine identities in The Secret of Roan Inish\",\"authors\":\"Emily F. Selby, D. Dixon\",\"doi\":\"10.1080/09663699825304\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores the ways in which Celtic oral traditions concerning the 'place' of women are replayed within a contemporary textual form, namely the 1995 film, The Secret of Roan Inish. Through an examination of the representation of gender relations within the film, we address how the incorporation of mythic elements is intended to provide a sense of female 'empowerment'. While the film has been praised for its positive portrayal of Irish Celtic women, we suggest that the various qualities of strength associated with the female lead characters are expressed within the context of a discursive framework that valorizes certain roles and behavior as 'natural' at the expense of other modes of life, and, further, ties the construction of subject identities into a fixed, or essentialist, notion of 'place'. Rather than presume that this filmic vision of Irish Celtic feminine identities is intrinsically regressive, however, we note that in our act of viewing Roan Inish those identities are recontextualized ...\",\"PeriodicalId\":51414,\"journal\":{\"name\":\"Gender Place and Culture\",\"volume\":\"49 1\",\"pages\":\"5-28\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"1998-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gender Place and Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/09663699825304\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gender Place and Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/09663699825304","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"GEOGRAPHY","Score":null,"Total":0}
Between Worlds: Considering Celtic feminine identities in The Secret of Roan Inish
This article explores the ways in which Celtic oral traditions concerning the 'place' of women are replayed within a contemporary textual form, namely the 1995 film, The Secret of Roan Inish. Through an examination of the representation of gender relations within the film, we address how the incorporation of mythic elements is intended to provide a sense of female 'empowerment'. While the film has been praised for its positive portrayal of Irish Celtic women, we suggest that the various qualities of strength associated with the female lead characters are expressed within the context of a discursive framework that valorizes certain roles and behavior as 'natural' at the expense of other modes of life, and, further, ties the construction of subject identities into a fixed, or essentialist, notion of 'place'. Rather than presume that this filmic vision of Irish Celtic feminine identities is intrinsically regressive, however, we note that in our act of viewing Roan Inish those identities are recontextualized ...
期刊介绍:
The aim of Gender, Place and Culture is to provide a forum for debate in human geography and related disciplines on theoretically-informed research concerned with gender issues. It also seeks to highlight the significance of such research for feminism and women"s studies. The editors seek articles based on primary research that address: the particularities and intersections of gender, race, ethnicity, age, (dis)ability, sexuality, class, culture and place; feminist, anti-racist, critical and radical geographies of space, place, nature and the environment; feminist geographies of difference, resistance, marginality and/or spatial negotiation; and, critical methodology.