音乐教育的环境哲学——基于萨蒂斯·科尔曼(1878-1961)的《音乐与自然》论著

Daniel J. Shevock
{"title":"音乐教育的环境哲学——基于萨蒂斯·科尔曼(1878-1961)的《音乐与自然》论著","authors":"Daniel J. Shevock","doi":"10.22176/act19.1.174","DOIUrl":null,"url":null,"abstract":"The 21st century has been defined by ecological crises, and these crises have been absent from most critical conversations in music teaching and learning. Satis Coleman’s music education writings, influential in the 1920s and 30s, focused on music and nature. The intellectual history presented in this essay, a historiography of ideas and thinkers, frames selected writings by Coleman as an environmental philosophy. This essay is built qualitatively around the themes of nature, consumption and conservation, epistemology/ethics/policy, and evolution. Coleman’s environmental philosophy provides an opening for music educators to begin teaching and learning for eco-literacy through music.","PeriodicalId":29990,"journal":{"name":"Action Criticism and Theory for Music Education","volume":"55 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"An Environmental Philosophy for Music Education Based on Satis Coleman’s (1878–1961) Writings on Music and Nature\",\"authors\":\"Daniel J. Shevock\",\"doi\":\"10.22176/act19.1.174\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 21st century has been defined by ecological crises, and these crises have been absent from most critical conversations in music teaching and learning. Satis Coleman’s music education writings, influential in the 1920s and 30s, focused on music and nature. The intellectual history presented in this essay, a historiography of ideas and thinkers, frames selected writings by Coleman as an environmental philosophy. This essay is built qualitatively around the themes of nature, consumption and conservation, epistemology/ethics/policy, and evolution. Coleman’s environmental philosophy provides an opening for music educators to begin teaching and learning for eco-literacy through music.\",\"PeriodicalId\":29990,\"journal\":{\"name\":\"Action Criticism and Theory for Music Education\",\"volume\":\"55 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Action Criticism and Theory for Music Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22176/act19.1.174\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Action Criticism and Theory for Music Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22176/act19.1.174","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

21世纪已经被生态危机所定义,而这些危机在大多数音乐教学和学习的关键对话中都没有出现。萨蒂斯·科尔曼(Satis Coleman)的音乐教育著作在20世纪二三十年代很有影响力,主要关注音乐和自然。这篇文章所呈现的思想史是一种思想和思想家的史学,将科尔曼精选的著作作为一种环境哲学。这篇文章是围绕自然、消费和保护、认识论/伦理/政策和进化的主题定性构建的。科尔曼的环境哲学为音乐教育者提供了一个开始通过音乐教授和学习生态素养的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
An Environmental Philosophy for Music Education Based on Satis Coleman’s (1878–1961) Writings on Music and Nature
The 21st century has been defined by ecological crises, and these crises have been absent from most critical conversations in music teaching and learning. Satis Coleman’s music education writings, influential in the 1920s and 30s, focused on music and nature. The intellectual history presented in this essay, a historiography of ideas and thinkers, frames selected writings by Coleman as an environmental philosophy. This essay is built qualitatively around the themes of nature, consumption and conservation, epistemology/ethics/policy, and evolution. Coleman’s environmental philosophy provides an opening for music educators to begin teaching and learning for eco-literacy through music.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
8
审稿时长
28 weeks
期刊最新文献
Playing Upon the Blue Guitar: Toward Re-imaginings of the U.S. National Anthems Wherein Apocalypse: The Time Being in Music Education Empowering Asian Educators in the Time of Crisis Disabled and Racialized Musicians: Experiences and Epistemologies Assimilation and Integration in Classical Music Education
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1