{"title":"提喻、美学与网络崇高:或者,什么是宗教网络模因?","authors":"Scott Haden Church, Gavin Feller","doi":"10.1080/15348423.2020.1728188","DOIUrl":null,"url":null,"abstract":"ABSTRACT Hoping to court young people increasingly distancing themselves from institutional religious affiliation, religious organizations like the Church of Jesus Christ of Latter-day Saints are creating and circulating aesthetic short-form videos (memes) rife with existential cinematic tropes aimed at invoking a sublime, affective viewing experience. Unlike the destabilizing cinema that inspired them, however, these religious memes do not have the luxury of equivocation. Institutional religious messages online must aim to instill divine experiences in spectators even while transcending the constraints of mobile media that circulates them. Responding to this exigency, institutional religious messages overcome these restrictions by using synecdoche to create a necessarily incomplete iteration of the sublime. “Earthly Father, Heavenly Father,” an example of a short video religious meme by the Church of Jesus Christ of Latter-day Saints, lets the familiar cinematic tropes innovated by filmmakers such as Terrence Malick do the work of the sublime in order to represent the much larger, transcendent experience of personal communion with God.","PeriodicalId":55954,"journal":{"name":"Journal of Media and Religion","volume":"14 1","pages":"12 - 23"},"PeriodicalIF":0.7000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Synecdoche, Aesthetics, and the Sublime Online: Or, What’s a Religious Internet Meme?\",\"authors\":\"Scott Haden Church, Gavin Feller\",\"doi\":\"10.1080/15348423.2020.1728188\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Hoping to court young people increasingly distancing themselves from institutional religious affiliation, religious organizations like the Church of Jesus Christ of Latter-day Saints are creating and circulating aesthetic short-form videos (memes) rife with existential cinematic tropes aimed at invoking a sublime, affective viewing experience. Unlike the destabilizing cinema that inspired them, however, these religious memes do not have the luxury of equivocation. Institutional religious messages online must aim to instill divine experiences in spectators even while transcending the constraints of mobile media that circulates them. Responding to this exigency, institutional religious messages overcome these restrictions by using synecdoche to create a necessarily incomplete iteration of the sublime. “Earthly Father, Heavenly Father,” an example of a short video religious meme by the Church of Jesus Christ of Latter-day Saints, lets the familiar cinematic tropes innovated by filmmakers such as Terrence Malick do the work of the sublime in order to represent the much larger, transcendent experience of personal communion with God.\",\"PeriodicalId\":55954,\"journal\":{\"name\":\"Journal of Media and Religion\",\"volume\":\"14 1\",\"pages\":\"12 - 23\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Media and Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15348423.2020.1728188\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Media and Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15348423.2020.1728188","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 3
摘要
耶稣基督后期圣徒教会(Church of Jesus Christ of Latter-day Saints)等宗教组织希望吸引越来越远离机构宗教信仰的年轻人,他们正在创作和传播美学短视频(meme),其中充斥着存在主义电影的比喻,旨在唤起一种崇高的、情感的观看体验。然而,与激发它们的不稳定电影不同,这些宗教表情包没有模棱两可的奢侈。在线的宗教信息必须旨在向观众灌输神圣的体验,即使超越传播这些信息的移动媒体的限制。作为对这种紧急情况的回应,制度性的宗教信息通过使用提喻来创造一种必要的不完整的崇高迭代,从而克服了这些限制。《尘世之父,天父》是耶稣基督后期圣徒教会(Church of Jesus Christ of Latter-day Saints)制作的一个简短的宗教meme视频,它让泰伦斯·马利克(Terrence Malick)等电影人发明的熟悉的电影修辞,完成了崇高的工作,以表现个人与上帝交流的更大、更卓越的体验。
Synecdoche, Aesthetics, and the Sublime Online: Or, What’s a Religious Internet Meme?
ABSTRACT Hoping to court young people increasingly distancing themselves from institutional religious affiliation, religious organizations like the Church of Jesus Christ of Latter-day Saints are creating and circulating aesthetic short-form videos (memes) rife with existential cinematic tropes aimed at invoking a sublime, affective viewing experience. Unlike the destabilizing cinema that inspired them, however, these religious memes do not have the luxury of equivocation. Institutional religious messages online must aim to instill divine experiences in spectators even while transcending the constraints of mobile media that circulates them. Responding to this exigency, institutional religious messages overcome these restrictions by using synecdoche to create a necessarily incomplete iteration of the sublime. “Earthly Father, Heavenly Father,” an example of a short video religious meme by the Church of Jesus Christ of Latter-day Saints, lets the familiar cinematic tropes innovated by filmmakers such as Terrence Malick do the work of the sublime in order to represent the much larger, transcendent experience of personal communion with God.