根据Hornbostel-Sachs分类系统的罗腾乐器器官学

A. R. Listya
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引用次数: 0

摘要

本文旨在提出一种基于Hornbostel-Sachs (H-S)方法的罗腾传统乐器分类方法。作者于2015年至2016年在东努沙登加拉省罗特岛进行了这次民族志实地研究。本文分析了现存的七种罗tenese传统乐器:1)meko ai或meko o(木制或竹制木琴);(二)鸣锣、鸣锣(铁锣、铜锣);3) meko besik或meko lilok(铁或黄铜金属);4) labu kici或labu so 'e(单头,碗形鼓);5)斗鼓或斗鼓(单头长圆柱形鼓);6) bitala(撞击钹);7)沙桑杜(异弦管式古筝)。本文中唯一没有讨论的罗腾传统乐器是kianuk,一种长约十厘米的双孔竹笛。这个工具已经不存在了。本文讨论的四个方面是:1)结构,2)材料,3)演奏方式,4)乐器的大小。通过对一些关键人物的采访以及通过摄影和录像收集信息。这项研究承认一些局限性;例如,在没有meko调优和制作标准的情况下,提供准确的信息是具有挑战性和局限性的。因此,这里给出的有关尺寸、材料、调音和音符间隔的信息是近似值。
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The Organology of Rotenese Musical Instruments According to the Hornbostel-Sachs Classification System
This article aims to propose a classification of Rotenese traditional musical instruments based on the Hornbostel-Sachs (the H-S) method. The author conducted this ethnographic field research on the island of Rote, East Nusa Tenggara Province, from 2015 to 2016. The seven existing Rotenese traditional musical instruments analyzed in this article are: 1) meko ai or the meko o (the wooden or the bamboo xylophone); 2) the meko besik or the meko lilok (the hanging iron or brass gongs); 3) the meko besik or the meko lilok (the iron or brass metallophone); 4) the labu kici or the labu so’e (the single-headed, bowl-shaped drum); 5) the tambur or the labu (the single-headed, long cylindrical drum); 6) the bitala (the crash cymbals); and 7) the sasandu (the heterochord tube-zither). The only Rotenese traditional musical instrument that is not discussed in this article is kianuk, the two-holed bamboo flute, approximately ten centimeters long. This instrument does not exist anymore. The four aspects discussed in this article are 1) the construction, 2) the materials, 3) the ways of playing, and 4) the size of the instruments. Information was gathered from interviews with some key persons and through photography and video recording. This research acknowledges some limitations; for instance, providing exact information is challenging and limiting in the absence of a standard for meko tuning and making. Therefore, the information given here about the size, the material, the tuning, and the note intervals is an approximation. 
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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