塞内加崛起:公元前后书信体的自我娱乐

IF 0.2 4区 历史学 0 CLASSICS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2018-12-20 DOI:10.1111/2041-5370.12081
SUSAN A. CURRY
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引用次数: 2

摘要

公元42年,小塞内加被流放到科西嘉岛后,他写了一封名为《Helviam》的慰问信,表面上是给他的母亲Helvia以安慰和支持,因为他被流放得像死了一样。塞内卡信件的收信人对他来说有不同的目的,在这里,因为他是写给生下他的母亲,塞内卡在ad Helviam中创造了一个重生的空间,一种恢复和修复被流放创伤破坏的自我的方式。通过精神分析学家海因茨·科胡特的“三极自我”理论来解读塞内卡的安慰,我认为在这封信中,塞内卡满足了他对镜像、对理想化的他人和对孪生兄弟的需求,这是他自我娱乐所必需的。通过这个过程,塞内卡也为Helvia提供了在“失去”塞内卡后重建自我所需的工具;儿子和母亲就这样重生了。
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SENECA RISING: EPISTOLARY SELF-RECREATION IN THE AD HELVIAM

Following his relegation to Corsica in ad 42, Seneca the Younger wrote the ad Helviam, a consolatory letter ostensibly offering his mother Helvia comfort and support in the face of his deathlike absence through exile. The addressees of Seneca's letters served different purposes for him, and here, because he is addressing his mother, who birthed him, Seneca creates within the ad Helviam a space for rebirth, a means of reviving and repairing a self left shattered by the trauma of exile. Reading Seneca's consolation through the lens of psychoanalyst Heinz Kohut's theory of the ‘tripolar self’, I suggest that in this letter Seneca satisfies his needs for mirroring, for an idealized other, and for twinship, which are requisite for his self-recreation. Through this process, Seneca also provides Helvia with the tools she needs to recreate her own self after the ‘loss’ of Seneca; both son and mother are thus reborn.

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