{"title":"事物的秘密生活:在安吉拉·卡特的后现代好奇橱柜中奇怪的博物馆凝视","authors":"Anna Kérchy","doi":"10.13110/MARVELSTALES.34.2.0159","DOIUrl":null,"url":null,"abstract":"Abstract:The essay focuses on the proto-museum as a major leitmotif and narrative engine of Angela Carter's fiction. I explore how hybrid collections of uncategorizable, monstrous– marvelous objects take a variety of forms, from the Renaissance cabinet of curiosities to the Victorian freak show or surrealist exhibitions of found object composites—each fictionalized in Carter's oeuvre. My contention is that Carter's interest in proto-museal assemblages reveals her curiosity about the secret life of things. Her agenda is to represent human subjects and inanimate objects enmeshed on equal planes of reciprocal interactions that hijack the ideologically invested male gaze that aims at a possessive, tyrannical ownership over the objectified othered. The \"queering of the look\" implied in this radically democratizing revision project ties in with Carter's socialist feminist politics to which she has remained committed throughout her life.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"1 1","pages":"159 - 179"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Secret Life of Things: Queering the Museal Gaze in Angela Carter's Postmodern Curiosity Cabinets\",\"authors\":\"Anna Kérchy\",\"doi\":\"10.13110/MARVELSTALES.34.2.0159\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The essay focuses on the proto-museum as a major leitmotif and narrative engine of Angela Carter's fiction. I explore how hybrid collections of uncategorizable, monstrous– marvelous objects take a variety of forms, from the Renaissance cabinet of curiosities to the Victorian freak show or surrealist exhibitions of found object composites—each fictionalized in Carter's oeuvre. My contention is that Carter's interest in proto-museal assemblages reveals her curiosity about the secret life of things. Her agenda is to represent human subjects and inanimate objects enmeshed on equal planes of reciprocal interactions that hijack the ideologically invested male gaze that aims at a possessive, tyrannical ownership over the objectified othered. The \\\"queering of the look\\\" implied in this radically democratizing revision project ties in with Carter's socialist feminist politics to which she has remained committed throughout her life.\",\"PeriodicalId\":42276,\"journal\":{\"name\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"volume\":\"1 1\",\"pages\":\"159 - 179\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/MARVELSTALES.34.2.0159\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/MARVELSTALES.34.2.0159","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Secret Life of Things: Queering the Museal Gaze in Angela Carter's Postmodern Curiosity Cabinets
Abstract:The essay focuses on the proto-museum as a major leitmotif and narrative engine of Angela Carter's fiction. I explore how hybrid collections of uncategorizable, monstrous– marvelous objects take a variety of forms, from the Renaissance cabinet of curiosities to the Victorian freak show or surrealist exhibitions of found object composites—each fictionalized in Carter's oeuvre. My contention is that Carter's interest in proto-museal assemblages reveals her curiosity about the secret life of things. Her agenda is to represent human subjects and inanimate objects enmeshed on equal planes of reciprocal interactions that hijack the ideologically invested male gaze that aims at a possessive, tyrannical ownership over the objectified othered. The "queering of the look" implied in this radically democratizing revision project ties in with Carter's socialist feminist politics to which she has remained committed throughout her life.
期刊介绍：
Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.
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