音乐表演中的心流

IF 0.4 Q4 PSYCHOLOGY, MULTIDISCIPLINARY Psihologijske teme Pub Date : 2023-04-21 DOI:10.31820/pt.32.1.10
Katarina Habe, M. Biasutti
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引用次数: 0

摘要

心流是一种特定的意识状态,当人们完全沉浸和专注于一项任务时,他们失去了时间感,感觉好像在无意识地做事情。本文旨在简要概述音乐中的流,重点关注音乐表演,并阐明心理关联,发生和教育应用等方面。我们的目标是在理论和实践之间建立一座桥梁,研究心流对提高音乐实践的影响。一些研究分析了各种音乐活动中的心流,包括即兴创作/作曲、聆听和表演。从早期音乐教育开始,音乐即兴创作就被认为是促进心流的最重要的教学工具之一。音乐表演中的心流得到了最广泛的研究,可以开发出促进最佳体验和心流条件的实际意义。在文章的最后一部分,基于流动的九个特征,提出了诱导流动的教育策略(Csikszentmihalyi, 1990)。
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Flow in Music Performance
Flow is a specific state of consciousness when people are completely immersed and concentrated on a task, that they lose the sense of time, and feel as if doing things unconsciously. This article aims to provide a brief overview of the flow in music, focused on music performance, and shed light on aspects such as psychological correlates, occurrence and educational applications. Our objective is to build a bridge between theory and practice examining the implications of flow for improving the musical practice. Several studies analyse flow in various musical activities, including improvisation/composition, listening and performance. Music improvisation is considered one of the most crucial pedagogical tools for promoting flow from the early years of music education on. Flow in music performance is the most extensively studied, and practical implications to facilitate optimal experience and flow conditions could be developed. In the final part of the article, educational strategies for inducing flow are proposed based on the nine characteristics of flow (Csikszentmihalyi, 1990).
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来源期刊
Psihologijske teme
Psihologijske teme Psychology-Clinical Psychology
CiteScore
1.00
自引率
0.00%
发文量
22
审稿时长
30 weeks
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