动画在非政府组织团结与移民视听传播中的运用

IF 2.3 1区 文学 Q1 COMMUNICATION Media, Culture & Society Pub Date : 2023-05-05 DOI:10.1177/01634437231169908
Guglielmo Scafirimuto
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引用次数: 0

摘要

近年来,人道主义传播的最新转变之一当然是越来越多地采用动画语言,特别是在网络媒体中。在这种新趋势的影响下,本文试图通过动画的运用来反思NGO传播在视觉和话语层面上是如何具体发生变化的。分析的语料库选自YouTube,由一系列非政府组织的在线动画视频组成,这些视频处理了最近的一个有影响力的现象:难民危机。自2015年以来,越来越多的新ngo出现,为移民援助做出贡献,而不是欧洲的政策:ngo在使用动画的传播活动中传达了什么样的移民代表?这种视听语言采用了什么样的团结话语?对这些例子的分析将作为对动画所特有的许多特点进行理论化的基础,这些特点使动画成为促进人道主义任务和传播移徙者证词的有效媒介。
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The use of animation in NGOs’ audio-visual communication about solidarity and migration
One of the latest transformations of humanitarian communication in recent years has certainly been the growing adoption of the language of animation, especially in online media. Looking at the effects of this new trend, this article intends to reflect on how NGO communication has concretely changed on a visual and discursive level through the use of animation. The corpus analysed, selected from YouTube, consists of a series of examples of animated online videos of NGOs that deal with a recent and influential phenomenon: the refugee crisis. Since 2015, an increasing number of new NGOs have emerged in order to contribute to aid for migrants, as opposed to European policies: what kind of representation of migrants do NGOs convey in their communication campaigns that employ animation? What kind of solidarity discourse is adopted through this audiovisual language? The analysis of these examples will serve as a basis for introducing the theorisation of numerous characteristics specific to animation, which make it an effective medium for the promotion of humanitarian missions and for the transmission of the testimonies of migrants.
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来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
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