{"title":"“我们必须站在一边”:Gilles Groulx的电影散文，用文字和图像","authors":"Ignacio Albornoz","doi":"10.20287/DOC.D24.DT01","DOIUrl":null,"url":null,"abstract":"Next to Pierre Perraut and Claude Jutra, Gilles Groulx has established himself as a key figure in the contemporary Quebecois cinema. Despite this prominent position, his filmography is rarely examined in its entirety. The aim of this article is to shed some light on the lesser-known parts of his filmography by attaching it to the concept of “film-essay”. More specifically, this article will focus on his film 24 heures ou plus (1973, 1977). After a brief definition of concepts and theoretical notions I will explore Groulx’s though on the film-essay.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"124 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"« Et on doit prendre parti » : Le film-essai chez Gilles Groulx, en mots et en images\",\"authors\":\"Ignacio Albornoz\",\"doi\":\"10.20287/DOC.D24.DT01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Next to Pierre Perraut and Claude Jutra, Gilles Groulx has established himself as a key figure in the contemporary Quebecois cinema. Despite this prominent position, his filmography is rarely examined in its entirety. The aim of this article is to shed some light on the lesser-known parts of his filmography by attaching it to the concept of “film-essay”. More specifically, this article will focus on his film 24 heures ou plus (1973, 1977). After a brief definition of concepts and theoretical notions I will explore Groulx’s though on the film-essay.\",\"PeriodicalId\":30245,\"journal\":{\"name\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"volume\":\"124 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20287/DOC.D24.DT01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Doc OnLine Revista Digital de Cinema Documentario","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20287/DOC.D24.DT01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
« Et on doit prendre parti » : Le film-essai chez Gilles Groulx, en mots et en images
Next to Pierre Perraut and Claude Jutra, Gilles Groulx has established himself as a key figure in the contemporary Quebecois cinema. Despite this prominent position, his filmography is rarely examined in its entirety. The aim of this article is to shed some light on the lesser-known parts of his filmography by attaching it to the concept of “film-essay”. More specifically, this article will focus on his film 24 heures ou plus (1973, 1977). After a brief definition of concepts and theoretical notions I will explore Groulx’s though on the film-essay.
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