佛罗伦萨文艺复兴绘画:语义网的链接目录

IF 0.2 0 ART Art Documentation Pub Date : 2018-03-01 DOI:10.1086/697276
L. Klic, J. Nelson, M. Cristina Pattuelli, A. Provo
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引用次数: 2

摘要

伯纳德·贝伦森(Bernard Berenson)的《佛罗伦萨画家的绘画》自1903年问世以来一直是艺术史学家的重要资料来源,至今仍是如此。虽然有许多个人收藏和艺术家的绘画目录,但贝伦森的研究是唯一的资源,包括来自西方世界近70位佛罗伦萨画家的例子,从14世纪的塔迪奥·加迪到16世纪的布龙奇诺。佛罗伦萨文艺复兴时期的图纸项目使贝伦森的宝贵的目录信息可在机器可读的格式。与大多数将文本艺术文档转换为数字版本的项目一样,作者面临的挑战是保持数据可扩展性和保留原始文本的细微差别之间的平衡。本研究演示了链接开放数据(LOD)技术如何在允许术语和概念标准化的同时保持源数据的复杂性。
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Florentine Renaissance Drawings: A Linked Catalog for the Semantic Web
The Drawings of the Florentine Painters by Bernard Berenson has been an essential source for art historians since it first appeared in 1903 and remains so today. Though many catalogs of drawings exist for individual collections and artists, Berenson’s study is the only resource that includes examples from across the Western world by nearly seventy Florentine painters, from Taddeo Gaddi in the fourteenth century through Bronzino in the sixteenth. The Florentine Renaissance Drawings project makes Berenson’s invaluable catalog information available in a machinereadable format. As with most projects that transform textual art documentation into digital editions, the authors faced challenges in maintaining a balance between making data scalable and preserving the nuances of the original text. This study demonstrates how Linked Open Data (LOD) technology allows one to maintain the complexity of source data while allowing for standardization of terms and concepts.
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CiteScore
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