(Ab)言论自由的使用和1788年Ismaël-controversy:荷兰共和国恶搞期刊的法律限制和启示

E. Dongen, M. Veldhuizen
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引用次数: 0

摘要

这篇文章通过幽默的艺术作品讲述了18世纪晚期——在言论自由成为宪法权利之前——关于言论自由的法律限制的一场引人入胜的法律角力比赛。它涉及1788年9月15日荷兰匿名杂志Ismaël一期上的模仿项目“来自巴别塔的报告”。据称乌得勒支市和有关当局成为目标,这些当局反过来起诉这些被认为是诽谤罪的当地卖家Gijsbert Timon van Paddenburg和Justus Visch。这一争议是通过橘红色分子的政治历史背景来研究的,橘红色分子在经历了一段动荡时期后重新掌权。本文分析了法院和当事各方的争论,以及对罗马法的接受,特别是关于诽谤。文学和哲学语言学理论被用来深入了解这种特殊的恶搞作为一种自由言论的形式被认为对18世纪晚期的社会是危险的。我们表明,这些被告利用模仿语言的模糊性作为其辩护策略的一部分。然而,司法当局驳回了这些基于语言的论点,最终以1000荷兰盾的巨额罚款谴责了这两名书商。对幽默艺术作品(如Ismaël)的法律-历史讨论凸显了诽谤法与言论自由之间的复杂关系。
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The (Ab)use of freedom of speech and the 1788 Ismaël-controversy: the legal limitations and affordances of a parodic periodical in the Dutch Republic
Abstract This article highlights a fascinating legal wrestling match over the legal limits of free speech through humorous artistic works in the late eighteenth century – just before freedom of speech became a constitutional right. It concerned the parodic item “Reports from Babel” in an issue of the anonymous Dutch journal Ismaël from 15 September 1788. The city of Utrecht and specific authorities were allegedly targeted who in turn prosecuted the local sellers of these perceived libels, Gijsbert Timon van Paddenburg and Justus Visch. The controversy is studied through the political-historical background of the Orangists, who had been returned to power following a turbulent period. The arguments of the court and the parties involved are analysed, as well as the reception of the Roman law of iniuria – specifically regarding libels. Literary and philosophical-linguistic theories are employed to gain insight into the way this particular parody as a form of free speech was perceived as dangerous to late-eighteenth-century society. We show that these defendants exploited the ambiguity of parodic language as part of their defense strategy. Nonetheless, the judicial authorities dismissed these language-based arguments, ultimately condemning the two booksellers with the considerable fine of 1000 guilders. This legal-historical discussion of humorous artistic works, such as Ismaël, highlights the complex relationship between libel laws and free speech.
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