《提克希尔诗篇》中的赞助和纹章(纽约,纽约,MS Spencer 26)

IF 0.2 3区 艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2021-01-01 DOI:10.1086/712859
A. Stanton
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引用次数: 0

摘要

中世纪手稿的原始赞助人或所有者可能只能用最一般的方式来识别,如果有的话。在祈祷书的日历或祷文中包含某些圣人可能表明它是为特定地区或宗教秩序而设计的;一幅跪着的人物的画可以描绘出其主人的社会地位和性别。关于原始或后来的所有者的更具体的信息有时是通过附注、日历添加或其他铭文提供的。纹章的标志在边界,行尾,或背景通常用来表示家庭或公司的从属关系,有时指向一个特定的所有者。例如,微小的
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Patronage and Heraldry in the Tickhill Psalter (New York, NYPL, MS Spencer 26)
The original patron or owner of a medieval manuscript may be possible to identify only in the most general way, if at all. The inclusion of certain saints in the calendar or litany of a devotional book may suggest that it was destined for a particular region or religious order; a painting of a kneeling figure may delineate the social station and gender of its owner. More specific information about original or subsequent owners is sometimes provided by colophons, calendar additions, or other inscriptions. Heraldic emblems in borders, line endings, or backgrounds are often taken to indicate family or corporate affiliations, sometimes pointing to a specific owner. For example, the tiny
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