{"title":"罗马新教公墓的纪念雕塑。新发现和鉴定作品清单","authors":"N. Stanley-Price","doi":"10.30549/opathrom-15-06","DOIUrl":null,"url":null,"abstract":"The funerary sculpture in the Protestant Cemetery in Rome, the heart of Catholicism, has been little studied. A new inventory of monuments lists over 130 works for which the sculptor, architect or bronze foundry, either Italian or non-Italian, has been identified. Many new identifications, often based on previously unrecorded inscriptions, have brought to light the work of well-documented foreign sculptors who had settled in Rome either temporarily or permanently. Several elaborate monuments were evidently commissions from wealthy relatives or friends of the deceased, but a greater number were contributed by artistic family members or by other fellow artists. In these frequent cases, a desire to commemorate a relative or personal friend, rather than financial gain, would have been the primary motivation.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"73 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Memorial sculpture in the Protestant Cemetery at Rome. New discoveries and an inventory of identified works\",\"authors\":\"N. Stanley-Price\",\"doi\":\"10.30549/opathrom-15-06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The funerary sculpture in the Protestant Cemetery in Rome, the heart of Catholicism, has been little studied. A new inventory of monuments lists over 130 works for which the sculptor, architect or bronze foundry, either Italian or non-Italian, has been identified. Many new identifications, often based on previously unrecorded inscriptions, have brought to light the work of well-documented foreign sculptors who had settled in Rome either temporarily or permanently. Several elaborate monuments were evidently commissions from wealthy relatives or friends of the deceased, but a greater number were contributed by artistic family members or by other fellow artists. In these frequent cases, a desire to commemorate a relative or personal friend, rather than financial gain, would have been the primary motivation.\",\"PeriodicalId\":51997,\"journal\":{\"name\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"volume\":\"73 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-11-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30549/opathrom-15-06\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30549/opathrom-15-06","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
Memorial sculpture in the Protestant Cemetery at Rome. New discoveries and an inventory of identified works
The funerary sculpture in the Protestant Cemetery in Rome, the heart of Catholicism, has been little studied. A new inventory of monuments lists over 130 works for which the sculptor, architect or bronze foundry, either Italian or non-Italian, has been identified. Many new identifications, often based on previously unrecorded inscriptions, have brought to light the work of well-documented foreign sculptors who had settled in Rome either temporarily or permanently. Several elaborate monuments were evidently commissions from wealthy relatives or friends of the deceased, but a greater number were contributed by artistic family members or by other fellow artists. In these frequent cases, a desire to commemorate a relative or personal friend, rather than financial gain, would have been the primary motivation.
期刊介绍:
Opuscula is published yearly by the Swedish Institutes at Athens and Rome. First issued in 2008 (no. 1), Opuscula replaces the annuals Opuscula Atheniensia and Opuscula Romana published by the Swedish Institute at Athens and the Swedish Institute in Rome respectively. The annual contains articles within classical archaeology, ancient history, art, architecture and philology, as well as book reviews within these subjects. Reports of fieldwork carried out under the supervision of the Institutes at Athens and Rome are regularly reported on in the Opuscula. The annual welcomes contributions pertaining to the ancient Mediterranean world (prehistory to Late Antiquity) and the Classical tradition and drawing on archaeological, historical and philological studies; also, contributions dealing with later periods in the areas, especially in the fields of art, architecture, history and cultural heritage.