LA POESÍA DE JUAN MALPARTIDA COMO CONSTRUCCIÓN DE SENTIDO

Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol   de las ultimas decadas. La perspectiva que otorga su obra poetica reunida   se vincula a la modernidad de la que habla Octavio Paz, las corrientes   europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su   poesia busca la construccion del sentido a traves de una semiosfera —en   terminos lotmanianos— que indaga en la arqueologia del sable, tal y como   queria Foucault. Se ponen en otra direccion semantica los simbolos, en   su mayoria bisemicos, y las palabras, motivadas por la influencia de otras   tradiciones. De este modo se articula la interdisciplinariedad de otras artes,  su transversalidad, la lectura mitocritica de la cotidianidad, la relacion   gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la   reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.