{"title":"《魔鬼之书》，乔纳斯·本迪克森著","authors":"Mark Heisten","doi":"10.1080/15551393.2022.2133334","DOIUrl":null,"url":null,"abstract":"Pages 279 279–280 With the original publication of The Book of Veles in 2021, Jonas Bendiksen, an editorial and creative photographer with the stalwart, independent agency Magnum Photos, sought to reveal the hidden world of commercial disinformation production. The book, now in its third printing, is a monograph with an essay and photography documenting the citizens’ daily lives in Veles, North Macedonia.","PeriodicalId":43914,"journal":{"name":"Visual Communication Quarterly","volume":"50 1","pages":"279 - 280"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Book of Veles, by Jonas Bendiksen\",\"authors\":\"Mark Heisten\",\"doi\":\"10.1080/15551393.2022.2133334\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pages 279 279–280 With the original publication of The Book of Veles in 2021, Jonas Bendiksen, an editorial and creative photographer with the stalwart, independent agency Magnum Photos, sought to reveal the hidden world of commercial disinformation production. The book, now in its third printing, is a monograph with an essay and photography documenting the citizens’ daily lives in Veles, North Macedonia.\",\"PeriodicalId\":43914,\"journal\":{\"name\":\"Visual Communication Quarterly\",\"volume\":\"50 1\",\"pages\":\"279 - 280\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15551393.2022.2133334\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15551393.2022.2133334","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
随着《韦勒斯之书》(the Book of Veles)于2021年的原始出版，坚定的独立机构马格南图片社(Magnum Photos)的编辑和创意摄影师乔纳斯·本迪克森(Jonas Bendiksen)试图揭示商业虚假信息生产的隐藏世界。这本书，现在是第三次印刷，是一本专著，有一篇文章和照片，记录了北马其顿Veles公民的日常生活。
Pages 279 279–280 With the original publication of The Book of Veles in 2021, Jonas Bendiksen, an editorial and creative photographer with the stalwart, independent agency Magnum Photos, sought to reveal the hidden world of commercial disinformation production. The book, now in its third printing, is a monograph with an essay and photography documenting the citizens’ daily lives in Veles, North Macedonia.
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