p·h·爱默生与视觉体验

IF 0.4 Q4 COMMUNICATION Visual Communication Quarterly Pub Date : 2023-07-03 DOI:10.1080/15551393.2023.2235271
Tim Gleason
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引用次数: 0

摘要

p·h·爱默生是一名医生出身的摄影师,他在19世纪80年代迅速获得赞誉,但在接下来的十年里,他开始违背自己的原则。爱默生推广了他的画意主义风格,被称为自然主义,认为艺术摄影应该建立在科学原理的基础上,并受到自然的启发。使用历史的方法,本研究考察了爱默生的原则,并认为爱默生放弃了他的信念,在摄影作为一种艺术形式的各种原因,包括他的自我重要性的显示。他的贡献在于推广了直接摄影——未经处理的、单负片的印刷——即使他偶尔违反了自己的原则。
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P. H. Emerson and the Experience of Vision
P. H. Emerson was a doctor-turned-photographer who quickly gained acclaim in the 1880s, but who turned against his principles in the next decade. Emerson promoted his style of Pictorialism, known as Naturalism, which held that art photographs should be founded on scientific principles and be inspired by nature. Using the historical method, this study examines Emerson’s principles and argues Emerson abandoned his belief in photography as an art form for a variety of reasons, including his display of self-importance. His contribution is in promoting straight photography—unmanipulated, single-negative printing—even if he occasionally violated his own principles.
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
28
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