{"title":"舞台上的新美人:以色列的埃塞俄比亚女演员","authors":"Sarit Cofman-Simhon","doi":"10.2979/NASHIM.34.1.07","DOIUrl":null,"url":null,"abstract":"Abstract:La belle juive (“the beautiful Jewess”) is an archetype of nineteenth-century European Romantic literature, painting and theater. Intriguingly, a similar pattern is discernible in present-day Israeli theater with regard to actresses of Ethiopian Jewish origin. The mainstream theater is embracing these young women, offering them leading, passionate roles. However, their case calls for a careful double check of beauty as human capital. I would like to explore how the nineteenth-century European archetype operates in ways that stereotype these women in twenty-first century Israel as figures of alterity and exoticism. Their beauty operates in both cases as gender-oriented otherness and as the location of difference.","PeriodicalId":42498,"journal":{"name":"Nashim-A Journal of Jewish Womens Studies & Gender Issues","volume":"36 1","pages":"146 - 167"},"PeriodicalIF":0.1000,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The New Belle Juive Onstage: Ethiopian Actresses in Israel\",\"authors\":\"Sarit Cofman-Simhon\",\"doi\":\"10.2979/NASHIM.34.1.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:La belle juive (“the beautiful Jewess”) is an archetype of nineteenth-century European Romantic literature, painting and theater. Intriguingly, a similar pattern is discernible in present-day Israeli theater with regard to actresses of Ethiopian Jewish origin. The mainstream theater is embracing these young women, offering them leading, passionate roles. However, their case calls for a careful double check of beauty as human capital. I would like to explore how the nineteenth-century European archetype operates in ways that stereotype these women in twenty-first century Israel as figures of alterity and exoticism. Their beauty operates in both cases as gender-oriented otherness and as the location of difference.\",\"PeriodicalId\":42498,\"journal\":{\"name\":\"Nashim-A Journal of Jewish Womens Studies & Gender Issues\",\"volume\":\"36 1\",\"pages\":\"146 - 167\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nashim-A Journal of Jewish Womens Studies & Gender Issues\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/NASHIM.34.1.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nashim-A Journal of Jewish Womens Studies & Gender Issues","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/NASHIM.34.1.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:La belle juive(“美丽的犹太女人”)是19世纪欧洲浪漫主义文学、绘画和戏剧的原型。有趣的是,在当今的以色列戏剧中,关于埃塞俄比亚犹太血统的女演员,也可以看出类似的模式。主流戏剧正在接纳这些年轻女性,为她们提供充满激情的领导角色。然而,他们的案例要求对美貌作为人力资本进行仔细的双重检查。我想探讨19世纪的欧洲原型是如何运作的,这些女性在21世纪的以色列是另类和异国情调的形象。他们的美在两种情况下都是性别导向的他者和差异的位置。
The New Belle Juive Onstage: Ethiopian Actresses in Israel
Abstract:La belle juive (“the beautiful Jewess”) is an archetype of nineteenth-century European Romantic literature, painting and theater. Intriguingly, a similar pattern is discernible in present-day Israeli theater with regard to actresses of Ethiopian Jewish origin. The mainstream theater is embracing these young women, offering them leading, passionate roles. However, their case calls for a careful double check of beauty as human capital. I would like to explore how the nineteenth-century European archetype operates in ways that stereotype these women in twenty-first century Israel as figures of alterity and exoticism. Their beauty operates in both cases as gender-oriented otherness and as the location of difference.