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Women's Impact on the Development of Israel's Healthcare System: The Contributions of Nurse Ida Wissotzky 妇女对以色列医疗体系发展的影响:护士Ida Wissotzky的贡献
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nsh.2023.a907307
Dorit Weiss
Abstract: Ida Wissotzky is among the nurses who made important but often overlooked contributions to the development of Israel's healthcare sector in the pre-state and early state years. Apart from her leadership roles in the young country's emergent hospital system, her career including working with Jewish refugees in British internment camps in Cyprus after the Holocaust, caring for wounded soldiers during and after the 1948 war, and supervising the care of new immigrants in Israel's absorption camps. This article describes some of the most important junctures in Israel's nursing history, from the last decade of the British Mandate in Palestine through the early decades of the State of Israel, as they were experienced by one determined and compassionate woman who aspired to combine pioneering nursing work with involvement in the political and ideological struggles of the nation-building years. It thereby contributes to a better understanding of women's impact on the development of nursing in Israel.
摘要:Ida Wissotzky是一名护士,她在建国前和建国初期为以色列医疗保健部门的发展做出了重要但往往被忽视的贡献。除了在这个年轻国家的新兴医院系统中担任领导角色外,她的职业生涯还包括在大屠杀后在塞浦路斯的英国拘留营中与犹太难民一起工作,在1948年战争期间和之后照顾受伤的士兵,并监督照顾以色列吸收营中的新移民。本文描述了以色列护理史上一些最重要的时刻,从英国在巴勒斯坦托管的最后十年到以色列国成立的最初几十年,一位坚定而富有同情心的女性经历了这些时刻,她渴望将开拓性的护理工作与参与国家建设时期的政治和意识形态斗争结合起来。因此,它有助于更好地了解妇女对以色列护理发展的影响。
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引用次数: 0
Life-Tumbled Shards by Heddy Breuer Abramowitz (review) 作者:海蒂·布鲁尔·阿布拉莫维茨(书评)
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nsh.2023.a907309
Reviewed by: Life-Tumbled Shards by Heddy Breuer Abramowitz Jeffrey M. Green (bio) Heddy Breuer Abramowitz Life-Tumbled Shards Jerusalem: Jerusalem Fine Art Prints, 2023 "The following is based on the journal I wrote after the death of our daughter," writes Heddy Breuer Abramowitz in the opening sentence of her book. "I mostly wrote during the quiet hush in the middle of the night." Her daughter Talia, only in her mid-twenties, newly married and full of love and hope, succumbed to leukemia in 2015. Heddy—whom I happen to know slightly, so I may be excused for referring to her by her first name—is an artist, a thoughtful and intelligent woman, a child of Holocaust survivors, religiously observant and an immigrant to Israel from the United States. A loving mother, she was devastated by her daughter's death. Click for larger view View full resolution Figure 1. Life-Tumbled Shards, Cover image. © Heddy Abramowitz [End Page 175] Click for larger view View full resolution Figure 2. Life-Tumbled Shards, p. 31: Monoprint, 15 × 10.8 cm. Goaches on sketchpad, no. 8 of 9. 2016. © Heddy Abramowitz Her book combines journal entries from the years after Talia's death with Heddy's colorful monoprints, including self-portraits from what she calls the "Finding Me Series," a moving reflection of the artist's struggle to rediscover herself as an artist and a woman after her bereavement. The artwork is as much a part of Heddy's book as her words. Early on, she says: The accompanying artworks extend beyond language when words go wanting. I made the self-portraits after [Talia's] death, roughly overlapping writing the journal. Events surrounding her illness interrupted my studio practice. Reentering my studio—resuming making art—was a difficult internal process. To start, these self-portraits were, for me, crumbs along an unmarked trail that I naively hoped would lead me back to finding my Self. The prints started as a way to reenter my [End Page 176] Click for larger view View full resolution Figure 3. Life-Tumbled Shards, p. 35: Monoprint, 13.4 × 18 cm. Goaches on sketchpad, no. 9 of 9. 2016. © Heddy Abramowitz studio, to face myself from a place of inner focus rather than external observation, which was more typical of earlier self-portraits. … I focused not so much on producing a convincing likeness but on listening to my emotional state. With that choice, my senses slowly opened to the physicality of mixing color as creating became ostensibly simpler and more immediate. (p. 15) I'm not clear about why Heddy used the adverb "naively" here, in that her artwork seems to demonstrate that she did find herself again. Monoprint, the medium she chose, is entirely appropriate to her shattered emotional state and the process of self-restoration. The artist places pigment on a surface and then presses paper down on it, producing shapes and combinations of colors that are not entirely in one's control. I was struck by the contrasts of bright and dark colors in the monoprints
书评:《破碎的碎片》作者:杰弗里·m·格林(传记)海蒂·布鲁尔·阿布拉莫维茨《破碎的碎片》耶路撒冷:耶路撒冷美术版画,2023年:“以下是我在女儿死后写的日记,”海蒂·布鲁尔·阿布拉莫维茨在她的书的开头写道。“我大部分时间都是在夜深人静的时候写作。”她的女儿塔利亚(Talia)只有25岁左右,刚刚结婚,充满了爱和希望,2015年死于白血病。海蒂——我碰巧对她略知一二,所以可以原谅我直称呼她的名字——是一位艺术家,一位有思想、聪明的女人,大屠杀幸存者的孩子,虔诚的宗教信徒,从美国移民到以色列。作为一位慈爱的母亲,她为女儿的死感到悲痛。单击查看大图查看全分辨率图1。生命碎片,封面图片。©Heddy Abramowitz [End Page 175]点击查看大图查看全分辨率图2。生命碎片,第31页:单印,15 × 10.8厘米。在画板上涂鸦,不。8 / 9。2016. ©海蒂·阿布拉莫维茨(Heddy Abramowitz)她的书将塔利亚去世后几年的日记记录与海蒂的彩色单幅版画结合在一起,其中包括她称之为“寻找我系列”的自画像,这是一个感人的反映,反映了这位艺术家在失去亲人后重新发现自己作为艺术家和女人的努力。这些艺术品和海蒂的文字一样,都是她书的一部分。早期,她说:“当语言缺失时,伴随的艺术作品超越了语言。”我在[塔利亚]死后画了自画像,大致重叠了写日记的部分。她的病中断了我在工作室的工作。重新进入我的工作室——继续创作艺术——是一个艰难的内部过程。一开始,这些自画像对我来说,只是一条没有标记的小路上的碎屑,我天真地希望它能引导我找回自我。打印开始作为一种方式重新进入我的[结束页176]点击查看大图查看全分辨率图3。生命碎片,第35页:单印,13.4 × 18厘米。在画板上涂鸦,不。9中的9。2016. ©Heddy Abramowitz工作室,从内心的焦点而不是外部的观察来面对自己,这是早期自画像中更典型的。我并没有把注意力集中在制作一幅令人信服的肖像上,而是集中在倾听自己的情绪状态上。有了这个选择,我的感官慢慢地向混合颜色的物质性开放,因为创作变得表面上更简单、更直接。(第15页)我不清楚为什么海蒂在这里使用了副词“天真”,因为她的艺术作品似乎表明她确实重新找到了自己。她选择的单印,完全适合她破碎的情感状态和自我修复的过程。艺术家把颜料放在一个表面上,然后把纸压在上面,产生的形状和颜色的组合,不是完全在一个人的控制。我被单幅版画中明暗的对比所震撼,这反映了海蒂悲伤的黑暗,以及她不让悲伤完全压倒她生活的决心。[结束页面177]点击查看大图查看全分辨率图4。生命碎片,第70页:寻找我系列,单印,29.5 × 21厘米。打印机的墨水,不是。25个中的17个。2016. ©海蒂·阿布拉莫维茨在书的后面,海蒂回忆起她作为大屠杀幸存者的女儿在华盛顿特区弗吉尼亚州郊区度过的青春时光。她作为艺术家的自我发现——她对自己本质上是一名艺术家的断言——早在女儿长期痛苦的疾病和最终的死亡之后,她就开始努力用艺术来重塑自己:对我来说,学习艺术是一场意志的战斗,还有我穿什么、做什么、去哪里。我觉得自己没有什么能力性,于是尽职尽责地从一名艺术学生转向追求我不那么重要的兴趣:政府、政治,最后是法律。(第75页)她暗示说,移居以色列给了她一种能动性。[结束页178]点击查看大图查看全分辨率图5。生命碎片,第94页(左):找到……
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引用次数: 0
From the Jewish Provinces: Selected Stories by Fradl Shtok, Jordan D. Finkin and Allison Schachter (review) 《来自犹太省份:弗拉德·施托克、乔丹·d·芬金和艾莉森·沙赫特故事集》(书评)
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nashim.42.1.09
Reviewed by: From the Jewish Provinces: Selected Stories by Fradl Shtok, Jordan D. Finkin and Allison Schachter Anastasiya Lyubas (bio) Fradl Shtok From the Jewish Provinces: Selected Stories translated from the Yiddish by Jordan D. Finkin and Allison Schachter Evanston, IL: Northwestern University Press, 2022. 105 pp. This volume initiates two critical conversations. The first is with Fradl Shtok, the author, and her brilliant Yiddish texts, published in New York almost a century ago, launching Shtok's literary career and sealing her literary legacy. The second engagement is with the few texts translated into English two and more decades ago by various translators. Finkin and Schachter translate Shtok in a new way and for a new generation of readers. The present collection presents a significant number of Shtok's stories from Gezamelte ertsehlungen (1919) in a single book, facilitating appraisal of the author's modernist style by twenty-first-century readers. Fradl Shtok (1890–1990?), born in Skala, Galicia, on the border between Austria-Hungary and Russia, immigrated to New York at 17 and published her collected stories at 29. The book was harshly criticized by poet and critic Aaron Glantz-Leyeles, who saw in Shtok not a deft stylist but a woman writer whose contributions to Yiddish he disparaged. She published nothing more in Yiddish after her debut and instead switched to English; her novel Musicians Only appeared in 1927. Shtok lived with mental illness and was institutionalized. The biographical note on her in the Leksikon fun der nayer yidisher literatur, edited by Shmuel Niger and Jacob Shatsky et al., indicates that she died at a resort sometime in the 1930s, but she seems in fact to have lived to a ripe old age. The introduction to From the Jewish Provinces provides insight into details of Shtok's complex life and literary destiny, and it illuminates the inadequate reception of her literary work: Critical engagement with her poetic output pigeonholed her as a writer of sonnets; her narrative-prose talents went unrepresented in various anthologies of Yiddish writing; and, ultimately, she was excluded from the canon of Yiddish letters. The English-language selection of Shtok's prose provided by Finkin and Schachter has two principal parts: European Stories and American Stories. The title, From the Jewish Provinces, captures aspects of Shtok's lived experience [End Page 184] in the Old World and the New and highlights, more broadly, the Jewish experience of the many immigrants from the Austro-Hungarian provinces who settled in New York's Lower East Side. The short third section, which contains just one story, "A Fur Salesman," stands apart. Published in 1942 in the Forward and discovered by Joachim Neugroschel in 2002, it epitomizes the maturation of Shtok's style of free indirect discourse, even as it departs from her focus on women as the main characters of her previous stories and instead centers on the masculinist ethos of the fur sale
书评:《来自犹太省份:故事选集》,作者:弗拉德·什托克、乔丹·d·芬金和艾莉森·沙切特·埃文斯顿,《来自犹太省份:故事选集》,作者:乔丹·d·芬金和艾莉森·沙切特·埃文斯顿,伊利诺伊州:西北大学出版社,2022年。105页。这本书引发了两个关键的对话。第一个是与作家弗拉德·什托克(Fradl Shtok)和她出色的意第绪语文本的合作,这些文本近一个世纪前在纽约出版,开启了什托克的文学生涯,并奠定了她的文学遗产。第二部分涉及到二十多年前由不同的译者翻译成英文的少数文本。Finkin和Schachter以一种新的方式为新一代读者翻译了Shtok。本作品集将Shtok在1919年出版的《Gezamelte ertsehlungen》中的大量故事集中在一本书中,便于21世纪读者对作者的现代主义风格进行评价。弗拉德·施托克(1890-1990 ?),出生于奥匈帝国和俄罗斯交界的加利西亚的斯卡拉,17岁移民到纽约,29岁出版故事集。这本书受到诗人兼评论家亚伦·格兰茨-莱耶斯(Aaron Glantz-Leyeles)的严厉批评,他认为Shtok不是一个熟练的造型师,而是一个他贬低了对意第绪语贡献的女作家。出道后,她不再用意第绪语发表任何作品,而是改用英语;她的小说《音乐家》只出版于1927年。Shtok患有精神疾病,被送进了精神病院。Shmuel Niger和Jacob Shatsky等人编辑的《Leksikon fun der nayer yidisher文学》中关于她的传记笔记表明,她于20世纪30年代的某个时候在一个度假胜地去世,但实际上她似乎活到了一个成熟的晚年。《来自犹太省份》的导言提供了对Shtok复杂生活和文学命运细节的深入了解,并阐明了对她文学作品的不充分接受:对她的诗歌作品的批评将她归类为十四行诗作家;她的叙事散文才能在各种意第绪语写作选集中都没有得到体现;最终,她被排除在意第绪字母的正典之外。Finkin和Schachter提供的Shtok的英文散文选集有两个主要部分:欧洲故事和美国故事。书名《来自犹太省份》(From The Jewish Provinces)捕捉了Shtok在旧世界和新世界的生活经历,更广泛地强调了许多来自奥匈帝国省份的移民在纽约下东区定居的犹太经历。第三部分很短,只有一个故事,“一个皮草推销员”,与众不同。这本书于1942年发表在《前进》杂志上,2002年被约阿希姆·纽格罗谢尔(Joachim Neugroschel)发现,它体现了Shtok自由间接话语风格的成熟,尽管它偏离了她之前小说中以女性为主要人物的关注点,而是以皮草推销员的男性主义精神为中心。从开篇故事《第一列火车》(the First Train)到《皮草推销员》(A Fur Salesman),编辑们带读者踏上了一段精心策划的旅程,探索Shtok的创造性表达。这18个欧洲故事以不同的语境和化身展现了欲望和幻想。正如Finkin和Schachter在前言中敏锐地观察到的那样,Shtok的阶段是“与幻想和语言的关系”。性爱欲望的故事多种多样:Rukhl幻想勾引一个外邦邮递员,她称她为krasna,“美丽”(《磨坊旁》);福尔被一个非犹太工人的声音迷住了(“大主教”);Shifra迷恋上了一个来到镇上的表演者(“夜魔侠”)。《维伯恩》、《杏仁》和《梨树》都表达了对食物的渴望——有些是奢侈的,有些是普通的,但总是超出了必需品——这暴露了对一种不同生活的根深蒂固的渴望,这种生活似乎超出了“来自外省”的犹太妇女所能企及的范围。这种渴望成为浪漫欲望、幻想和快乐的替代品,甚至是对孩子的希望,无法满足的渴望。现实与幻想之间的冲突出现在《白色的毛皮》中,马尼亚的幻想没有实现,因为在俄罗斯“那里没有白色的毛皮”;在《弗里德里希·席勒》中,爱尔卡的优雅和对早已去世的德国诗人弗里德里希·席勒的渴望与她的世俗形成对比……
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引用次数: 0
"To a Tanya Lesson in High-Heeled Shoes": Observance, Modernity and Deviance in the Moscow Chabad Community “给谭雅上高跟鞋课”:莫斯科恰巴德社区的遵守、现代性和越规性
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nsh.2023.a907304
Galina Zelenina
Abstract: After the seventy-year break in religious life under the Soviet regime, Jewish communities in Russia revived and multiplied, now consisting mostly of new "returnees to the faith," ba'alei and ba'alot teshuvah . This article, based on biographical interviews and other sources, examines the outlook, self-image and everyday life of women "returnees," ba'alot teshuvah , in a contemporary community of Lubavitch Hasidim in Moscow. Chabad women's claims to modernity and their understanding of it, their view of their community and the social hierarchies in it, and their prioritizing of religious practice over meaning and of action over belief are examined in the contexts of women's religiosity in historical Hasidism, in present-day ultra-Orthodox communities in Israel and America, and in other traditional cultures (focusing on the "alternative modernity" of voluntarily traditional subjects) and in light of Lubavitch movement policies, late Soviet "authoritative discourse" and the current Russian move toward "conservative modernization."
摘要:在苏联政权统治下的宗教生活中断了七十年之后,俄罗斯的犹太社区复兴并成倍增加,现在主要由新的“回归信仰”的ba'alei和ba'alot teshuvah组成。本文以传记采访和其他资料为基础,探讨了莫斯科当代Lubavitch Hasidim社区中“返乡”女性(ba'alot teshuvah)的观点、自我形象和日常生活。查巴德妇女对现代性的要求和她们对现代性的理解,她们对社区和社会等级的看法,以及她们将宗教实践置于意义之上,将行动置于信仰之上,这些都是在历史上的哈西德派女性的宗教虔诚背景下,在当今以色列和美国的极端正统派社区中,在其他传统文化中(专注于自愿传统主体的“另类现代性”),根据卢巴维奇运动的政策,苏联晚期的“权威话语”和当前俄罗斯走向“保守现代化”。
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引用次数: 0
A Jewish Reclaiming of German-Jewish Women Thinkers 德国犹太女性思想家的犹太复兴
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nsh.2023.a907306
Elisa Klapheck
Abstract: The following essay describes a typical uneasiness with regard to the reception of the intellectual legacy of German-Jewish women thinkers like Hannah Arendt, Bertha Pappenheim, Regina Jonas and Margarete Susman. The material reality of the large role played by such Jewish women thinkers may have vanished in the Shoah. Their Jewish intellectual descendants in Germany today have built upon their work, but that work takes place in contested territory, where other, non-Jewish scholars also lay claim to this legacy. In this personal reflection, I analyze the different motivations of non-Jewish and Jewish feminists in post-Shoah Germany to engage with Jewish thinkers. Certainly, the conflicts are also about academic power and the control of interpretation. Yet, they have a political quality that is interesting in and of itself, one that underlines the far-reaching impact of the intellectual legacy of Jewish women thinkers in societal discourse in Germany today.
摘要:本文描述了德国犹太女性思想家汉娜·阿伦特、伯莎·帕彭海姆、雷吉娜·乔纳斯和玛格丽特·苏斯曼等人的思想遗产在接受方面的一种典型不安。这些犹太女性思想家所发挥的巨大作用的物质现实可能在大屠杀中消失了。今天,他们在德国的犹太知识分子后裔在他们的工作基础上继续发展,但这些工作发生在有争议的领土上,其他非犹太学者也声称拥有这些遗产。在这篇个人反思中,我分析了大屠杀后德国非犹太和犹太女权主义者与犹太思想家接触的不同动机。当然,这些冲突也是关于学术权力和解释控制的。然而,她们本身就有一种有趣的政治品质,这种品质强调了犹太女性思想家的知识遗产对当今德国社会话语的深远影响。
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引用次数: 0
The Shaping of Military Nursing in Israel: 1947–1958 以色列军事护理的形成:1947-1958
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nashim.42.1.07
Ronen Segev
Abstract: Unique realities influenced the development of the military nursing profession in Israel. While other countries, such as the United States, the United Kingdom and Canada, established military hospitals staffed by separately trained military nurses, conditions in Israel led to the development of interlocking military and civilian healthcare sectors, as the young country responded simultaneously to healthcare needs brought on by war, ongoing attacks on civilians, and massive waves of immigrants, including European Holocaust survivors and Jews from Arab countries. Relying on an analysis of documents in multiple archives, contemporaneous newspaper articles and interviews conducted with nurses who served in the 1948 Arab–Israeli War and the 1956 Sinai Campaign, this paper describes the development of the nursing profession in Israel through 1958, when military nursing was fully established as part of the civilian health sector, a reality that continues to the present.
摘要:独特的现实影响了以色列军事护理专业的发展。虽然美国、联合王国和加拿大等其他国家建立了军事医院,配备分别受过训练的军事护士,但以色列的情况导致军事和民用保健部门相互关联的发展,因为这个年轻的国家同时应对战争、对平民的持续攻击以及包括欧洲大屠杀幸存者和来自阿拉伯国家的犹太人在内的大规模移民潮所带来的保健需求。根据对多个档案文件的分析、同时期的报纸文章和对在1948年阿以战争和1956年西奈战役中服役的护士的采访,本文描述了1958年以色列护理职业的发展,当时军事护理完全成为民用卫生部门的一部分,这一现实一直持续到现在。
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引用次数: 0
The Invisible Anikó Szenes 隐形的 Anikó Szenes
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nashim.42.1.02
Andrea Pető
Abstract: This article discusses the circles of forgetting of the memory of Anikó (Hannah) Szenes (1921–1944) in Hungary, from the end of World War II through the illiberal turn in memory politics that began in the 2010s. This process of forgetting resulted in a canonized history of her life, highlighting different elements of her story in different periods while omitting other parts and condemning her to oblivion in postwar Hungary, her native land, where she spent 19 of her 23 years. These different memory circles are bound up with much-debated elements of twentieth-century Hungarian, European and Israeli history that intersect precisely in the narration of Szenes's tragically short life story. As a leftist, a Jew, a woman, a left-wing Zionist and a writer, Szenes was too much and too complex to digest for the traumatized postwar history of Hungarian Jewry, which rests on silencing and forgetting. I first present the methodological problems of gendered memory and then map the intersecting circles of forgetting of Szenes's life. I conclude by analyzing the memorial events in Hungary around the 100th anniversary of Szenes's birth in 2021 as an example of illiberal memory politics.
摘要:本文探讨了匈牙利Anikó (Hannah) Szenes(1921-1944)的记忆遗忘圈,从第二次世界大战结束到2010年代开始的记忆政治的非自由转向。这种遗忘的过程导致了她一生的历史被神圣化,在不同的时期突出了她故事的不同元素,而忽略了其他部分,并谴责她在战后的匈牙利被遗忘,匈牙利是她的祖国,她在那里度过了23年中的19年。这些不同的记忆圈与20世纪匈牙利、欧洲和以色列历史中备受争议的元素联系在一起,这些元素在塞内斯悲剧性的短暂人生故事的叙述中恰好相交。作为一名左翼分子、一名犹太人、一名女性、一名左翼犹太复国主义者和一名作家,塞内斯太过复杂,难以消化匈牙利犹太人战后创伤深重的历史,这种历史建立在沉默和遗忘之上。我首先提出了性别记忆的方法论问题,然后绘制了塞内斯生活中遗忘的交叉圈。最后,我分析了2021年塞内斯诞辰100周年前后匈牙利的纪念活动,作为一个非自由主义记忆政治的例子。
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引用次数: 0
When Rabbis Abuse: Power, Gender, and Status in the Dynamics of Sexual Abuse in Jewish Culture by Elana Sztokman (review) 《当拉比滥用:犹太文化中性侵犯动态中的权力、性别和地位》作者:Elana Sztokman
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nsh.2023.a907311
Reviewed by: When Rabbis Abuse: Power, Gender, and Status in the Dynamics of Sexual Abuse in Jewish Culture by Elana Sztokman Michal Kravel-Tovi (bio) Elana Sztokman When Rabbis Abuse: Power, Gender, and Status in the Dynamics of Sexual Abuse in Jewish Culture Lioness Books and Media, 2022 When do rabbis abuse? Potentially, at any given time. What kinds of social structures and cultural tenets unfold on the occasions when rabbis abuse? Ones that facilitate the exploitation of power and the manipulation of otherwise valuable Jewish and human values. In When Rabbis Abuse: Power, Gender, and Status in the Dynamics of Sexual Abuse in Jewish Culture, Elena Sztokman asks these and other important questions, illuminating in a sincere, sensitive and lucid narrative the dynamics of abuse by rabbis, a phenomenon that is both pervasive and overlooked. This is the raison d'etre of Sztokman's book, and also its merit: It is an empirically solid, comprehensive and well-informed account of sexual abuse in Jewish communal and institutional settings. The ethnographic grounding of this account is all the more significant, given the relatively thin availability of reliable quantitative data on abuse in Jewish contexts, and the apposite research tools offered by ethnographic methodology, relying upon rapport, nuanced analysis and inductive ways of thinking. The book is based on an impressive collection of testimonies, gathered from a variety of platforms and encounters. Brought together, they present an unflattering portrait of the malaise of sexual violence and trauma in Jewish spaces and of the too slow, too late responses to it by stakeholders in Jewish organizations and communities. Given the thick silence that clearly saturates the issue of sexual abuse in Jewish and other settings, Sztokman's book performs an important service to the Jewish public at large, which, like many other publics, would rather not know about the horrifying things happening in its midst or, even worse, knows about it but chooses nevertheless to remain silent. Writing against the grain of silence, denial and a culture of cover-up, Sztokman insists on bringing the voices of victim-survivors into the public sphere and on listening to them without searching suspiciously for gaps in coherence and validity. In so doing, she is attuned not only to these critical and suppressed voices, but also to what sociologist Eviatar Zerubavel calls "the social sound of silence."1 [End Page 188] The book is framed as a prod for a collective demand for justice and accountability. It is an expression of engaged scholarship, urgently fusing activist and academic perspectives, claiming and demonstrating their synergetic force. In fact, Sztokman's interest in abuse developed from her lifelong activist, feminist engagement with mesuravot get—Jewish women denied divorce by their husbands—her anthropological sensibilities and skills deepening her understanding of this particular phenomenon. Both these elements, th
《当拉比滥用:犹太文化中性侵犯动态中的权力、性别和地位》作者:Elana Sztokman michael Kravel-Tovi(传译)Elana Sztokman《当拉比滥用:犹太文化中性侵犯动态中的权力、性别和地位》Lioness Books and Media, 2022可能,在任何给定的时间。当拉比滥用职权的时候,什么样的社会结构和文化信条会显露出来?那些有利于权力的利用和对犹太人和人类价值观的操纵。在《当拉比虐待:犹太文化中性侵犯动态中的权力、性别和地位》一书中,埃琳娜·什托克曼提出了这些和其他重要问题,以真诚、敏感和清晰的叙述阐明了拉比虐待的动态,这是一种既普遍又被忽视的现象。这是什托克曼这本书存在的理由,也是它的优点:它是对犹太社区和机构环境中的性侵犯的一种实证、全面和见多见广的描述。考虑到犹太人环境中虐待的可靠定量数据相对较少,以及民族志方法论提供的适当研究工具(依赖于融洽关系、细致入微的分析和归纳的思维方式),这种说法的民族志基础更加重要。这本书是基于从各种平台和遭遇中收集的令人印象深刻的证词。综合起来,这些证据毫不留情地描绘了犹太空间中性暴力和性创伤的问题,以及犹太组织和社区的利益相关者对这一问题的反应太慢、太迟。考虑到在犹太人和其他环境中,性侵问题显然充斥着浓厚的沉默,什托克曼的书为广大犹太公众提供了重要的服务,他们和许多其他公众一样,宁愿不知道发生在他们中间的可怕事情,或者更糟的是,知道这件事,但仍然选择保持沉默。斯托克曼反对沉默、否认和掩盖的文化,坚持将受害者幸存者的声音带入公共领域,倾听他们的声音,而不是怀疑地寻找连贯性和有效性的差距。在这样做的过程中,她不仅适应了这些批评和压抑的声音,也适应了社会学家Eviatar Zerubavel所说的“社会沉默之声”。这本书的框架是对正义和责任的集体要求的刺激。这是一种参与学术的表达,迫切地融合了活动家和学术的观点,声称并展示了它们的协同力量。事实上,什托克曼对虐待的兴趣源于她一生都是积极分子,女权主义者,她参与了许多关于被丈夫拒绝离婚的犹太妇女的活动,她的人类学敏感性和技巧加深了她对这一特殊现象的理解。积极分子和学者这两个因素都紧密地交织在这本书的脉络中,塑造并激发了什托克曼试图解释一个以行善为豪的集体是如何首先促成这样的邪恶,然后忽视其成员的巨大痛苦的。不出所料,作者并没有——也不可能——为促使她首先进行这项研究的近乎存在主义的哲学困惑提供答案。但她确实设法找出了在各种社会虐待背景下起作用的一些社区、语言和宗教机制。最终,这篇学术论文是由一位充满爱心的犹太作家提供的,她运用专业知识和她自己作为幸存者的第一人称故事,揭露了理想与现实之间,使用与滥用权力之间不可容忍的差距。这本书是有意扩大范围,在广泛的关注,它给了动态在发挥作者所描述的犹太文化或犹太社区,跨越犹太教的教派和法律地理背景;它关注各种类型的性暴力,拉比领导的所有能力和指定,以及所有施虐者的档案。它旨在揭示性虐待对身体和灵魂、个人和集体的原因、动态和影响,它嵌入了性……
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引用次数: 0
"To a Tanya Lesson in High-Heeled Shoes": Observance, Modernity and Deviance in the Moscow Chabad Community “给谭雅上高跟鞋课”:莫斯科恰巴德社区的遵守、现代性和越规性
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nashim.42.1.03
Galina Zelenina
Abstract: After the seventy-year break in religious life under the Soviet regime, Jewish communities in Russia revived and multiplied, now consisting mostly of new "returnees to the faith," ba'alei and ba'alot teshuvah . This article, based on biographical interviews and other sources, examines the outlook, self-image and everyday life of women "returnees," ba'alot teshuvah , in a contemporary community of Lubavitch Hasidim in Moscow. Chabad women's claims to modernity and their understanding of it, their view of their community and the social hierarchies in it, and their prioritizing of religious practice over meaning and of action over belief are examined in the contexts of women's religiosity in historical Hasidism, in present-day ultra-Orthodox communities in Israel and America, and in other traditional cultures (focusing on the "alternative modernity" of voluntarily traditional subjects) and in light of Lubavitch movement policies, late Soviet "authoritative discourse" and the current Russian move toward "conservative modernization."
摘要:在苏联政权统治下的宗教生活中断了七十年之后,俄罗斯的犹太社区复兴并成倍增加,现在主要由新的“回归信仰”的ba'alei和ba'alot teshuvah组成。本文以传记采访和其他资料为基础,探讨了莫斯科当代Lubavitch Hasidim社区中“返乡”女性(ba'alot teshuvah)的观点、自我形象和日常生活。查巴德妇女对现代性的要求和她们对现代性的理解,她们对社区和社会等级的看法,以及她们将宗教实践置于意义之上,将行动置于信仰之上,这些都是在历史上的哈西德派女性的宗教虔诚背景下,在当今以色列和美国的极端正统派社区中,在其他传统文化中(专注于自愿传统主体的“另类现代性”),根据卢巴维奇运动的政策,苏联晚期的“权威话语”和当前俄罗斯走向“保守现代化”。
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引用次数: 0
"I Am a Conscious Jew and an Austrian": Austrian Jewish Women Survivors in Post-Shoah Austria “我是一个有意识的犹太人和奥地利人”:奥地利大屠杀后的奥地利犹太妇女幸存者
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.2979/nashim.42.1.04
Eleonore Lappin-Eppel
Abstract: This paper presents the life stories of six Jewish women who were born in Vienna, survived the Nazi persecution there or in camps, and stayed in Austria after the war. The subjects were chosen in an effort to reflect a diversity of fates, reactions and coping strategies and to offer a representative overview. I will discuss why these women did not leave Austria after the Nazi takeover, how they managed to survive the years of persecution, why they subsequently decided to remain in Austria, and how their sufferings influenced the course of their lives after liberation. As Marion Kaplan has shown for Germany, I argue that gender, class, age and family ties were important reasons for their choices to stay, both before and after the war.
摘要:本文讲述了六名出生在维也纳的犹太妇女的生活故事,她们在纳粹迫害中幸存下来,并在战后留在奥地利。选择这些主题是为了反映不同的命运、反应和应对策略,并提供一个有代表性的概述。我将讨论为什么这些妇女在纳粹占领奥地利后没有离开奥地利,她们是如何在多年的迫害中幸存下来的,为什么她们后来决定留在奥地利,以及她们的苦难如何影响了她们解放后的生活。正如马里昂·卡普兰(Marion Kaplan)为德国所做的那样,我认为性别、阶级、年龄和家庭关系是他们选择留下来的重要原因,无论是在战前还是战后。
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引用次数: 0
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Nashim-A Journal of Jewish Womens Studies & Gender Issues
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