{"title":"仪器。中欧和东欧的电影、媒体和数字文化","authors":"D. Youngblood","doi":"10.1080/2040350X.2022.2084836","DOIUrl":null,"url":null,"abstract":"The end of communist regimes across central and eastern Europe, including Russia and the other republics of the former USSR, led not only to the redrawing of the political map of Europe, but as importantly, to the reconfiguration of the intellectual and cultural worlds of this vast region. From the perspective of the past thirty years, we can better appreciate the extent of these cultural and intellectual revolutions, which have led to increased and improved communication and cooperation among artists and intellectuals across national boundaries even as political relations have faltered—in some cases catastrophically. Nowhere has this shift been more evident than in film and media studies. Founded in 2015, Apparatus is a peer-reviewed, online, Open Access (OA) scholarly journal based in Berlin, which received its initial funding from Deutsche Forschungsgemeinschaft (DFG). The journal is hosted by Freie Universität Berlin. Its core leadership team consists of its founder and editor-in-chief Natascha Drubek (Germany), publishing director Irina Schulzki (Belgium), IT director John-Thomas Eltringham (Germany), reviews editor Evgeniia Trufanova (US), English language editor John Leman Riley (UK), and editorsat-large Adelheid Heftberger (Germany), Mario Slugan (UK), and Denise J. Youngblood (US). The journal’s international, interdisciplinary character is also evident in the composition of its editorial advisory board of twenty scholars specializing in various aspects of visual and media cultures as well as in more traditional humanities disciplines like history and literature; the board represents many European countries as well as the UK and US.","PeriodicalId":52267,"journal":{"name":"Studies in Eastern European Cinema","volume":"52 1","pages":"310 - 313"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe\",\"authors\":\"D. 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引用次数: 1
摘要
共产主义政权在中欧和东欧的终结,包括俄罗斯和前苏联的其他共和国,不仅导致了欧洲政治地图的重新绘制,而且同样重要的是,导致了这一广阔地区的知识和文化世界的重新配置。从过去三十年的角度来看,我们可以更好地理解这些文化和知识革命的程度,这些革命导致了艺术家和知识分子之间跨越国界的交流与合作的增加和改善,尽管政治关系在某些情况下是灾难性的。这种转变在电影和媒体研究中表现得最为明显。Apparatus成立于2015年,是一份同行评议的在线开放获取(OA)学术期刊,总部位于柏林,最初获得了德国Forschungsgemeinschaft (DFG)的资助。该杂志由Freie Universität Berlin主办。其核心领导团队由创始人兼总编辑娜塔莎·德鲁贝克(德国)、出版总监伊琳娜·舒尔茨基(比利时)、IT总监约翰-托马斯·埃尔特林汉姆(德国)、评论编辑Evgeniia Trufanova(美国)、英语编辑John Leman Riley(英国)、总编辑Adelheid Heftberger(德国)、Mario Slugan(英国)和Denise J. Youngblood(美国)组成。该杂志的国际性、跨学科的特点也体现在其编辑顾问委员会的组成上,该委员会由20位学者组成,他们专门研究视觉和媒体文化的各个方面,以及历史和文学等更传统的人文学科;该委员会代表了许多欧洲国家以及英国和美国。
Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe
The end of communist regimes across central and eastern Europe, including Russia and the other republics of the former USSR, led not only to the redrawing of the political map of Europe, but as importantly, to the reconfiguration of the intellectual and cultural worlds of this vast region. From the perspective of the past thirty years, we can better appreciate the extent of these cultural and intellectual revolutions, which have led to increased and improved communication and cooperation among artists and intellectuals across national boundaries even as political relations have faltered—in some cases catastrophically. Nowhere has this shift been more evident than in film and media studies. Founded in 2015, Apparatus is a peer-reviewed, online, Open Access (OA) scholarly journal based in Berlin, which received its initial funding from Deutsche Forschungsgemeinschaft (DFG). The journal is hosted by Freie Universität Berlin. Its core leadership team consists of its founder and editor-in-chief Natascha Drubek (Germany), publishing director Irina Schulzki (Belgium), IT director John-Thomas Eltringham (Germany), reviews editor Evgeniia Trufanova (US), English language editor John Leman Riley (UK), and editorsat-large Adelheid Heftberger (Germany), Mario Slugan (UK), and Denise J. Youngblood (US). The journal’s international, interdisciplinary character is also evident in the composition of its editorial advisory board of twenty scholars specializing in various aspects of visual and media cultures as well as in more traditional humanities disciplines like history and literature; the board represents many European countries as well as the UK and US.