神秘之河:作为认识论启示的奥索尼乌斯的摩塞拉

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2016-12-01 DOI:10.1017/rmu.2016.12
J. Hernández Lobato
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引用次数: 1

摘要

奥索尼乌斯的《摩塞拉》可能是古代晚期最杰出、最受研究和喜爱的诗歌。本文旨在从一个新的角度来审视它,通过将其重新解释为一种复杂而多层次的自成一体的顿悟体验的描述,最终由与自然的直接接触引发。这种突如其来的“启示”,无论是真实的还是仅仅是一种巧妙的文学手法,不仅使奥索尼乌斯对他周围的世界有了更深入的了解,而且提出了许多关于人类知识局限性和语言表达现实能力的认识论问题。这两个方面——对非话语性的准神秘体验的诗意渲染以及由此带来的认识论和哲学反思——贯穿了整首诗,对于深入理解其存在的理由être绝对是至关重要的。
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MYSTIC RIVER: AUSONIUS' MOSELLA AS AN EPISTEMOLOGICAL REVELATION
Ausonius' Mosella is probably the most remarkable, studied and beloved poem of late antiquity. This essay aims to examine it from a new perspective, by reinterpreting it as a complex and many-layered depiction of a sui generis epiphanic experience, ultimately triggered by an unmediated encounter with nature. This sudden ‘revelation’, be it real or merely an artful literary device, did not only provide Ausonius with a deeper insight into the world around him, but also raised many epistemological issues on the limits of human knowledge and the (in)ability of language to convey reality. Both aspects—the poetical rendering of a non-discursive quasi-mystical experience and the epistemological and philosophical reflections it brings about—pervade the whole of the poem and are absolutely central to an in-depth understanding of its very raison d’être.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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