研究当代建筑对清真寺伊斯兰图案(或几何图案)的影响

Mehdi Niknam, Sina Rezaei, Mohammad Hassan Zehtaban
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引用次数: 0

摘要

——建构人的生物生活的一个必要条件是,一定阶级的人之间存在着共同的根。一方面,这些共同的根源,如信仰,在世界的某个地方是平等的,因此它在世界的那个地方以同样的方式引导建筑的发展路径,另一方面,它使所有的建筑概念都充满了价值意义。也许这是由于这种将世界各地的建筑视为该地区身份的观点。在现代特别是思想互动领域,全球化的进程需要在生物社会中应用一些在人们信仰中起主导作用的元素,而在所有人直接判断的环境中,什么会比建筑标志更可取呢?清真寺的建筑被认为是源自伊斯兰艺术和指令的建筑的最突出的证明,它可以成为伊斯兰艺术领域建筑演变的转折点。在目前的研究中,我们试图在分析知识分子对伊斯兰艺术的看法的基础上,研究伊朗和当代世界清真寺建筑的实例。通过本研究,希望研究者能够切实了解清真寺和伊斯兰中心建筑作为世界和现代伊斯兰艺术最根本的标志的演变过程,并澄清相对于世界设计师和建筑师的各种利益,隐藏在这些标志中的伊斯兰艺术的哪些模式更为稳定。
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Study of the impact of contemporary architecture on Islamic motifs (or geometric patterns) in mosques
- One necessary point in constructing biological life of people is the existence of common roots among a certain class of people. In one hand, these common roots such as beliefs are equal in one part of the world, so it conducts architecture’s developing path through the same way in that part of the world, and on the other hand, it fills all concepts of architecture with value significance. Perhaps it is due to this point of view which considersarchitecture of each part of the world as an identity for that part. In the modern era especially in the field of ideas’ interaction, the process of globalization needs to apply some elements in biological society which play adominant role in people’s beliefs, and what will be more desirable than architectural signs in environment which are directly judged by all people. The architecture of mosques is regarded as the most prominent proof of architecture derivedfrom Islamic art and instructions which can be the turning point of architecture’s evolution in the field of Islamic art. In the present research, we have tried to study the instances of mosques’ architecture in Iran and contemporary world based on analyzing intellectuals’ perspectives toward Islamic art. Through this research, It is expected for researchers to tangibly comprehend the process of evolution in mosques and Islamic centers’ architecture as the most fundamental sign of Islamic art in world and in the modern era, and to clarify that in comparison to various interests of world’s designers and architects, which patterns of Islamic art hidden in these signs are more stable.
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