有色人种女孩回忆录博物馆:让各地的黑人女孩记住,我们的爱已经足够了

L. Cahill
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摘要

摘要:本文以费城日耳曼敦有色女孩博物馆(Colored Girls Museum)的非传统档案库为背景,通过对社会关系、空间容量和时间导航的策展,将博物馆空间视为一个激进的爱情场所。通过与博物馆创始人瓦什蒂·杜波依斯(Vashti DuBois)对口述历史的改造,我塑造了一本前卫的回忆录,讲述了杜波依斯自己的人生故事是如何成为一个空间所承载的激进之爱的策展。具体来说,我认为通过博物馆空间培养的激进的爱为情感潜力、互动和相互依赖提供了联系。创造性的方法方法使我能够为黑人女孩提供一面镜子,动态档案和信件,让她们通过叙事见证自己被关注和被爱。
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Memoirs of the Colored Girls Museum: For Blackgirls Everywhere to Remember That Our Love Is Enuf
Abstract:This article is a nonconventional archival repository for the Colored Girls Museum in Germantown, Philadelphia, wherein I posit that the museum space is a radical love site through its curation of social relationships, spatial capacities, and navigation of time. Through the transformation of oral history with the museum's founder, Vashti DuBois, I fashioned an avant-garde memoir about how DuBois's own life story is a curation toward radical love that is held by a space. Specifically, I argue that radical love cultivated through the museum space provides a nexus for affective potential, interaction, and interdependence. The creative methodological approach has allowed me to provide a mirror, dynamic archive, and letter for Blackgirls to bear witness to themselves being centered and loved through narrative.
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