{"title":"valparaiso三部小说中的空间、社会和情感:萨尔瓦多·雷耶斯、曼努埃尔·罗哈斯和阿曼多mendez卡拉斯科","authors":"Ximena Figueroa Flores, F. Alfonso","doi":"10.7764/69.7","DOIUrl":null,"url":null,"abstract":"The three chosen novels respond to the economic decline of Valparaíso in the mid-20th century by representing space and society, as well as the predominant affections: Valparaíso, Puerto de nostalgia ([1936] 1955) by Salvador Reyes, is located in the Plan of the city and fluctuates between the nostalgic idealization of the English bourgeoisie and the bohemian one of the present; Hijo de ladrón (1951) by Manuel Rojas and El mundo herido (1955) by Armando Méndez Carrasco, instead privilege the space of the hills and move towards a period of mourning in the face of lost time, updating, respectively, the Enlightenment values and the traditional community.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"12 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Espacio, sociedad y afectos en tres novelas de Valparaíso: Salvador Reyes, Manuel Rojas y Armando Méndez Carrasco\",\"authors\":\"Ximena Figueroa Flores, F. Alfonso\",\"doi\":\"10.7764/69.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The three chosen novels respond to the economic decline of Valparaíso in the mid-20th century by representing space and society, as well as the predominant affections: Valparaíso, Puerto de nostalgia ([1936] 1955) by Salvador Reyes, is located in the Plan of the city and fluctuates between the nostalgic idealization of the English bourgeoisie and the bohemian one of the present; Hijo de ladrón (1951) by Manuel Rojas and El mundo herido (1955) by Armando Méndez Carrasco, instead privilege the space of the hills and move towards a period of mourning in the face of lost time, updating, respectively, the Enlightenment values and the traditional community.\",\"PeriodicalId\":43414,\"journal\":{\"name\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7764/69.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/69.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Espacio, sociedad y afectos en tres novelas de Valparaíso: Salvador Reyes, Manuel Rojas y Armando Méndez Carrasco
The three chosen novels respond to the economic decline of Valparaíso in the mid-20th century by representing space and society, as well as the predominant affections: Valparaíso, Puerto de nostalgia ([1936] 1955) by Salvador Reyes, is located in the Plan of the city and fluctuates between the nostalgic idealization of the English bourgeoisie and the bohemian one of the present; Hijo de ladrón (1951) by Manuel Rojas and El mundo herido (1955) by Armando Méndez Carrasco, instead privilege the space of the hills and move towards a period of mourning in the face of lost time, updating, respectively, the Enlightenment values and the traditional community.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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