“贝斯是我们的工作站,我们每天都在这里报道”——理解青年实践在城市亚文化中的作用

Q3 Arts and Humanities Matatu Pub Date : 2023-07-31 DOI:10.1163/18757421-bja00003
Isaac Muhando
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引用次数: 0

摘要

当代全球化和城市化在非洲年轻人如何(重新)创造和(重新)定义城市空间方面继续发挥着重要作用。整个非洲大陆的主要城市正在成为社会和文化转型的活跃场所。随着经济放缓和失业率上升,年轻人正在寻找适应这些现实的方法,同时保持他们的城市身份。本研究采用参与式观察来考察内罗毕新兴的两种青年实践,即贝斯和gengetone音乐,以强调内罗毕东区的年轻人如何将这些实践作为增强其城市身份的场所和谋生的替代空间。研究表明,贝斯音乐和gengetone音乐都是城市年轻人用来构建他们的城市身份的平台,同时处理当地的社会挑战,如酗酒、吸毒和负面种族,以及严峻的经济现实,如失业和高生活成本。进一步的研究表明,这些实践创造的话语空间为他们提供了参与国家利益事务的机会,在那里他们可以挑战和挑战压迫性的社会秩序。
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“The baze is our workstation, we report here every day”—Understanding the Role of Youth Practices in Urban Subculture
Contemporary globalisation and urbanisation continue to play a significant role in how the youths (re)create and (re)define urban spaces in Africa. Major cities across the continent are becoming active sites for social and cultural transformation. With the economic slowdown and increased rate of unemployment, youths are seeking ways to adapt to these realities while at the same time staying true to their urban identity. The present study uses participatory observation to examine two of the emerging youth practices in Nairobi, which are, the baze and gengetone music, to underscore how the youths in Nairobi Eastlands engage these practices both as sites for bolstering their urban identity and as alternative spaces for earning a livelihood. The study reveals that both the baze and gengetone music are available platforms which city youths use to construct their urban identities while dealing with local social challenges such as alcoholism, drug abuse and negative ethnicity, as well as harsh economic realities such as unemployment and a high cost of living. Further examination shows that discourse spaces created by these practices afford them a chance to participate in matters of national interest where they can contest and challenge social orders that are oppressive.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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9
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