人类世的对象:绘制从人类开始到结束的物质-情感文化

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Emotions-History Culture Society Pub Date : 2023-06-23 DOI:10.1163/2208522x-02010190
P. James, Timothy Erik Ström
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引用次数: 0

摘要

对象是复杂的东西,我们创造的对象也是如此。我们分层创建具有额外情感意义的对象。理解这种层次的复杂性需要的不仅仅是追踪一个对象的叙事历史。这篇文章是关于我们制造和使用的物品。特别是,这篇文章提出,需要在全球人类历史的背景下,以及在它们的创造、使用、占有和接受的各个时刻的本体论框架中敏感地理解物体。这篇文章围绕着四个论点展开。对象是社会关系和情感生活叙述的中心。对象作为意义的载体,在不同的本体论方向上移动。对象存在于多个本体论上不同的时间框架中,有时同时存在。物体调解了我们(人类)与更大的社会和自然世界的关系,即使它们(和我们)是那个世界的一部分。
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Objects of the Anthropocene: Mapping Material-Emotional Culture from Human Beginnings to the End Times
Objects are complicated things, and no less so when they are created by us. We layer created objects with additional emotional meaning. Understanding the complexity of this layering requires much more than tracing the narrative history of an object. This essay is about the objects that we make and appropriate. In particular, the essay suggests that objects need to be understood sensitively both in the context of global human history, and the ontological framing of the various moments of their creation, use, appropriation and reception. The essay folds around four contentions. Objects are central to the narration of social relations and emotional life. Objects, as carriers of meaning, move across different ontological orientations. Objects exist in multiple and ontologically different time frames, sometimes at the same time. And objects mediate our (human) relation to the larger social and natural world, even as they (and we) are part of that world.
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来源期刊
Emotions-History Culture Society
Emotions-History Culture Society HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
3
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