{"title":"《乞力马扎罗山的雪》是人类世的寓言","authors":"R. Hediger","doi":"10.1353/hem.2021.0015","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay reads Hemingway’s short story “The Snows of Kilimanjaro” as an allegory of the Anthropocene. The story presents an effort to rethink how to live, a concern that animated much of Hemingway’s writing and thinking. This rethinking involves dramatically exposing the faults of the narrator, who, read allegorically—in a general, not strict, way—evokes many of the values and systems of production that led to the Anthropocene. Thus, the narrator’s self-critique can also be read as a cultural critique, one sharpened and fitted to Anthropocene temporalities by the story’s “telescoping” technique.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The Snows of Kilimanjaro” as an Allegory of the Anthropocene\",\"authors\":\"R. Hediger\",\"doi\":\"10.1353/hem.2021.0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay reads Hemingway’s short story “The Snows of Kilimanjaro” as an allegory of the Anthropocene. The story presents an effort to rethink how to live, a concern that animated much of Hemingway’s writing and thinking. This rethinking involves dramatically exposing the faults of the narrator, who, read allegorically—in a general, not strict, way—evokes many of the values and systems of production that led to the Anthropocene. Thus, the narrator’s self-critique can also be read as a cultural critique, one sharpened and fitted to Anthropocene temporalities by the story’s “telescoping” technique.\",\"PeriodicalId\":22434,\"journal\":{\"name\":\"The Hemingway Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Hemingway Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/hem.2021.0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Hemingway Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/hem.2021.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“The Snows of Kilimanjaro” as an Allegory of the Anthropocene
ABSTRACT:This essay reads Hemingway’s short story “The Snows of Kilimanjaro” as an allegory of the Anthropocene. The story presents an effort to rethink how to live, a concern that animated much of Hemingway’s writing and thinking. This rethinking involves dramatically exposing the faults of the narrator, who, read allegorically—in a general, not strict, way—evokes many of the values and systems of production that led to the Anthropocene. Thus, the narrator’s self-critique can also be read as a cultural critique, one sharpened and fitted to Anthropocene temporalities by the story’s “telescoping” technique.