{"title":"波提切利解读彼特拉克的《爱的胜利:拉文纳被忽视的绘画》","authors":"J. Nelson","doi":"10.1086/716327","DOIUrl":null,"url":null,"abstract":"About two decades before Sandro Botticelli (ca. 1445–1510) made his celebrated drawings of the Divine Comedy (Berlin and Vatican City), he already showed his pictorial intelligence in an illustration of Petrarch’s Triumph of Love (fig. 1). This little-known pen-and-ink drawing, in a manuscript of Petrarch’s Canzoniere and Triumphs (Ravenna, Biblioteca Classense, ms. 143, fol. 141v), was first published in 1984 by Annarosa Garzelli, who attributed it to Botticelli’s workshop, but the characteristic style, high quality, and original interpretation all indicate that it was","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Botticelli Interprets Petrarch’s Triumph of Love: An Overlooked Drawing in Ravenna\",\"authors\":\"J. Nelson\",\"doi\":\"10.1086/716327\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"About two decades before Sandro Botticelli (ca. 1445–1510) made his celebrated drawings of the Divine Comedy (Berlin and Vatican City), he already showed his pictorial intelligence in an illustration of Petrarch’s Triumph of Love (fig. 1). This little-known pen-and-ink drawing, in a manuscript of Petrarch’s Canzoniere and Triumphs (Ravenna, Biblioteca Classense, ms. 143, fol. 141v), was first published in 1984 by Annarosa Garzelli, who attributed it to Botticelli’s workshop, but the characteristic style, high quality, and original interpretation all indicate that it was\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/716327\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/716327","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
大约在桑德罗·波提切利(约1445-1510年)画出著名的《神曲》(柏林和梵蒂冈城)的20年前，他就已经在彼特拉克的《爱的胜利》的插图中展示了他的绘画智慧(图1)。这幅鲜为人知的水墨画出现在彼特拉克的《Canzoniere and Triumphs》的手稿中(拉文纳，Biblioteca Classense, 143女士，fol)。Annarosa Garzelli于1984年首次出版，并将其归因于波提切利的工作室，但其独特的风格，高质量和原创的解释都表明它是波提切利的
Botticelli Interprets Petrarch’s Triumph of Love: An Overlooked Drawing in Ravenna
About two decades before Sandro Botticelli (ca. 1445–1510) made his celebrated drawings of the Divine Comedy (Berlin and Vatican City), he already showed his pictorial intelligence in an illustration of Petrarch’s Triumph of Love (fig. 1). This little-known pen-and-ink drawing, in a manuscript of Petrarch’s Canzoniere and Triumphs (Ravenna, Biblioteca Classense, ms. 143, fol. 141v), was first published in 1984 by Annarosa Garzelli, who attributed it to Botticelli’s workshop, but the characteristic style, high quality, and original interpretation all indicate that it was
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