多变的永恒女性:《奥德赛》第15章和《埃涅阿斯纪》第4章中神的警告和匆忙的离开

Kevin Muse
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摘要

在《埃涅阿斯纪》第4章中,墨丘利第二次出现在埃涅阿斯面前,他谎称狄多正计划发动袭击,并以一句关于女性情感易变性的臭名昭著的话作为警告的结尾,迫使这位英雄逃离迦太基。基于之前的一个建议,墨丘利对埃涅阿斯的第一次演讲是模仿雅典娜在《奥德赛》第15章开头对忒勒马科斯的警告,这篇文章提出墨丘利的第二次演讲也是模仿雅典娜的警告,女神对佩内洛普的意图和对女性的厌恶gnōmē关于女性感情的可变性来误导忒勒马科斯离开斯巴达。在阐述了维吉尔是如何将他对雅典娜演讲的模仿在口头上和主题上区别于墨丘利的两次演讲之后,讨论转向了为什么雅典娜和墨丘利都采用了这些欺骗的策略。这些演讲被证明是诗人对女王使用δ λος的著名能力产生怀疑和不祥预感的类似方法的高潮。忒勒马科斯和埃涅阿斯随后匆忙离开的共同特点进一步证实了维吉尔在设计埃涅阿斯逃离迦太基时使用了《奥德赛》第15章。
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VARIVM ET MVTABILE SEMPER FEMINA: DIVINE WARNINGS AND HASTY DEPARTURES IN ODYSSEY 15 AND AENEID 4
In his second appearance to Aeneas in Aeneid 4 Mercury drives the hero to flee Carthage with a false allegation that Dido is planning an attack, capping his warning with an infamous sententia about the mutability of female emotion. Building on a previous suggestion that Mercury's first speech to Aeneas is modelled on Athena's admonishment of Telemachus at the opening of Odyssey 15, this article proposes that Mercury's second speech as well is modelled on Athena's warning, in which the goddess uses misdirection about Penelope's intentions and a misogynistic gnōmē about the changeability of women's affections to spur Telemachus’ departure from Sparta. After setting out how Virgil divides his imitation of Athena's speech verbally and thematically between Mercury's two speeches, the discussion turns to why both Athena and Mercury adopt these deceptive tactics. The speeches are shown to be culminations of the poets’ similar approaches to creating doubt and foreboding around the queens’ famed capacities for using δόλος. Common features in the ensuing hasty departures of Telemachus and Aeneas further confirm Virgil's use of Odyssey 15 in devising Aeneas’ escape from Carthage.
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