Pub Date : 2024-06-03DOI: 10.1017/s0009838824000119
Katarzyna Jażdżewska
This article uncovers the intellectual traditions behind Dio Chrysostom's Oration 20: On Anachôrêsis. The examination reveals a variety of subtexts and traditions with which Dio engages, and shows that at its core the text inspects three types of lives promoted by three philosophical schools: Epicurean, Stoic and Peripatetic. They are never referred to directly, however, which raises questions concerning Dio's strategy of not acknowledging the sources of the ideas with which he engages. The article also develops our understanding of anachôrêsis and the controversies surrounding it in pagan antiquity.
{"title":"PHILOSOPHY IN DIO CHRYSOSTOM, ON ANACHÔRÊSIS (ORATION 20)","authors":"Katarzyna Jażdżewska","doi":"10.1017/s0009838824000119","DOIUrl":"https://doi.org/10.1017/s0009838824000119","url":null,"abstract":"\u0000 This article uncovers the intellectual traditions behind Dio Chrysostom's Oration 20: On Anachôrêsis. The examination reveals a variety of subtexts and traditions with which Dio engages, and shows that at its core the text inspects three types of lives promoted by three philosophical schools: Epicurean, Stoic and Peripatetic. They are never referred to directly, however, which raises questions concerning Dio's strategy of not acknowledging the sources of the ideas with which he engages. The article also develops our understanding of anachôrêsis and the controversies surrounding it in pagan antiquity.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141269858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-24DOI: 10.1017/s0009838824000168
Lorenzo Salerno
This article examines a complex passage of Aristotle's Physics in which a Pythagorean doctrine is explained by means of a mathematical example involving gnomons. The traditional interpretation of this passage (proposed by Milhaud and Burnet) has recently been challenged by Ugaglia and Acerbi, who have proposed a new one. The aim of this article is to analyse difficulties in their account and to advance a new interpretation. All attempts at interpreting the passage so far have assumed that ‘gnomons’ should indicate ‘odd numbers’. In this article it is argued that the usage of ‘gnomon’ related to polygonal numbers, which is normally considered late, could be backdated to at least the fifth/fourth centuries b.c.; in particular, it explains the link between the philosophical explanandum and the mathematical explanans in Aristotle's passage.
{"title":"THE MATHEMATICAL EXAMPLE OF GNOMONS IN ARISTOTLE, PHYSICS 3.4, 203a10–16","authors":"Lorenzo Salerno","doi":"10.1017/s0009838824000168","DOIUrl":"https://doi.org/10.1017/s0009838824000168","url":null,"abstract":"\u0000 This article examines a complex passage of Aristotle's Physics in which a Pythagorean doctrine is explained by means of a mathematical example involving gnomons. The traditional interpretation of this passage (proposed by Milhaud and Burnet) has recently been challenged by Ugaglia and Acerbi, who have proposed a new one. The aim of this article is to analyse difficulties in their account and to advance a new interpretation. All attempts at interpreting the passage so far have assumed that ‘gnomons’ should indicate ‘odd numbers’. In this article it is argued that the usage of ‘gnomon’ related to polygonal numbers, which is normally considered late, could be backdated to at least the fifth/fourth centuries b.c.; in particular, it explains the link between the philosophical explanandum and the mathematical explanans in Aristotle's passage.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141099888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-22DOI: 10.1017/s0009838824000144
Thomas Clements
This article argues for a more diverse approach to the appearance of enslaved persons in Greek historiography through an analysis of the Persian navy's battlefield tour of Thermopylae in Book 8 of Herodotus’ Histories. Previous approaches to slavery in Greek historiography have rightly commented on the cultural awkwardness to Greek authors of slaves’ extensive involvement in ancient warfare. However, this is only one aspect of how slaves featured in historiographical narrative. Herodotus continually problematizes the methods of enquiry and many characters within his work engage in enquiry-like activities. Book 8 itself is no different, with much of the action involving errors in human perception. The appearance of helots amongst the heroic dead at Thermopylae is intended both as a narrative reveal, since their presence has not previously been known to the reader, and as a comment on the contestation of Greek identity, which is framed at the start of Book 8 with a series of direct addresses to different groups of Greeks, all of whom take a different approach to their participation in the Persian Wars. Hence what appears to be an incidental detail can in fact be understood in the wider, thematic context of the Histories and especially that of the books concerning the Persian Wars.
{"title":"HELOTS AT THERMOPYLAE: THE GREEK DEAD AT HERODOTUS 8.25","authors":"Thomas Clements","doi":"10.1017/s0009838824000144","DOIUrl":"https://doi.org/10.1017/s0009838824000144","url":null,"abstract":"\u0000 This article argues for a more diverse approach to the appearance of enslaved persons in Greek historiography through an analysis of the Persian navy's battlefield tour of Thermopylae in Book 8 of Herodotus’ Histories. Previous approaches to slavery in Greek historiography have rightly commented on the cultural awkwardness to Greek authors of slaves’ extensive involvement in ancient warfare. However, this is only one aspect of how slaves featured in historiographical narrative. Herodotus continually problematizes the methods of enquiry and many characters within his work engage in enquiry-like activities. Book 8 itself is no different, with much of the action involving errors in human perception. The appearance of helots amongst the heroic dead at Thermopylae is intended both as a narrative reveal, since their presence has not previously been known to the reader, and as a comment on the contestation of Greek identity, which is framed at the start of Book 8 with a series of direct addresses to different groups of Greeks, all of whom take a different approach to their participation in the Persian Wars. Hence what appears to be an incidental detail can in fact be understood in the wider, thematic context of the Histories and especially that of the books concerning the Persian Wars.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141113291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1017/s0009838824000296
Olivia Elder
This article revisits a famous graffiti poem from Pompeii (CIL 4.9123). It argues that the poem is both more erotically charged and more cleverly metaliterary than previously recognized; and that this reading of the poem offers new evidence for the literary richness of Pompeii's graffiti culture.
{"title":"DOWN IN POMPEII: A SEXUAL GRAFFITO IN VERSE (CIL 4.9123)","authors":"Olivia Elder","doi":"10.1017/s0009838824000296","DOIUrl":"https://doi.org/10.1017/s0009838824000296","url":null,"abstract":"\u0000 This article revisits a famous graffiti poem from Pompeii (CIL 4.9123). It argues that the poem is both more erotically charged and more cleverly metaliterary than previously recognized; and that this reading of the poem offers new evidence for the literary richness of Pompeii's graffiti culture.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140970390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1017/s0009838824000417
Marden Fitzpatrick Nichols
{"title":"JULIUS CAESAR AND THE LARCH: BURNING QUESTIONS AT VITRUVIUS’ DE ARCHITECTVRA 2.9.15–16 – ERRATUM","authors":"Marden Fitzpatrick Nichols","doi":"10.1017/s0009838824000417","DOIUrl":"https://doi.org/10.1017/s0009838824000417","url":null,"abstract":"","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140970236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-16DOI: 10.1017/s0009838824000363
Olivia Elder
This article reconsiders a graffitied riddle from Pompeii (CIL 4.1877). It argues that slavery is one possible dimension of the puzzle, and that acknowledging the existence of slavery in this text testifies to the potential of Pompeian graffiti as a source for overlooked social histories.
{"title":"A SERVILE RIDDLE FROM POMPEII? (CIL 4.1877)","authors":"Olivia Elder","doi":"10.1017/s0009838824000363","DOIUrl":"https://doi.org/10.1017/s0009838824000363","url":null,"abstract":"\u0000 This article reconsiders a graffitied riddle from Pompeii (CIL 4.1877). It argues that slavery is one possible dimension of the puzzle, and that acknowledging the existence of slavery in this text testifies to the potential of Pompeian graffiti as a source for overlooked social histories.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140967385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-06DOI: 10.1017/s0009838824000041
Andrew Fox
The management and mismanagement of Roman groves was a serious matter, and intentional and unintentional violations of these spaces could be severely punished. In spite of this, groves remained loosely defined by Romans and their boundaries were commonly misunderstood, a confusion that has continued into modern scholarship, where groves are understood as either a clearing in a wood or a dark space lit by artificial lighting. This article takes up this discussion, and explores the nature of an ancient grove as a well-attested space under forest management that influences later conversations on the nature of wooded spaces in more recent periods.
{"title":"(MIS)MANAGEMENT OF ROMAN GROVES","authors":"Andrew Fox","doi":"10.1017/s0009838824000041","DOIUrl":"https://doi.org/10.1017/s0009838824000041","url":null,"abstract":"\u0000 The management and mismanagement of Roman groves was a serious matter, and intentional and unintentional violations of these spaces could be severely punished. In spite of this, groves remained loosely defined by Romans and their boundaries were commonly misunderstood, a confusion that has continued into modern scholarship, where groves are understood as either a clearing in a wood or a dark space lit by artificial lighting. This article takes up this discussion, and explores the nature of an ancient grove as a well-attested space under forest management that influences later conversations on the nature of wooded spaces in more recent periods.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141009312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-06DOI: 10.1017/s0009838824000211
Robert Parker
A passage in Eunapius (476–7, pp. 440–2 Loeb) draws an interesting contrast between the attitudes to divination of the two sophists Maximus and Chrysanthius: Maximus, who manipulates the omens until they say what he wants, and Chrysanthius, who scrupulously obeys their apparent meaning. But a passage a little later (500–1, pp. 542–4 Loeb) apparently ascribes to Chrysanthius the opposite attitude. This article suggests a transposition to restore coherence to the text. Even if the transposition is wrong, the contrast drawn in the first passage between two attitudes to divination, one rigorous and literalist, one manipulative, is important.
{"title":"TWO ATTITUDES TO DIVINATION IN EUNAPIUS","authors":"Robert Parker","doi":"10.1017/s0009838824000211","DOIUrl":"https://doi.org/10.1017/s0009838824000211","url":null,"abstract":"\u0000 A passage in Eunapius (476–7, pp. 440–2 Loeb) draws an interesting contrast between the attitudes to divination of the two sophists Maximus and Chrysanthius: Maximus, who manipulates the omens until they say what he wants, and Chrysanthius, who scrupulously obeys their apparent meaning. But a passage a little later (500–1, pp. 542–4 Loeb) apparently ascribes to Chrysanthius the opposite attitude. This article suggests a transposition to restore coherence to the text. Even if the transposition is wrong, the contrast drawn in the first passage between two attitudes to divination, one rigorous and literalist, one manipulative, is important.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141009355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-03DOI: 10.1017/s0009838824000016
Joanna Pieczonka
This article argues that the game presented in the third scene of the third act of Plautus’ Asinaria involves a horseplay rather than an assplay (Asin. 697–710). This is suggested by the young master's name, Argyrippus, and by a list of equine terms occurring in the text: uehere, inscendere, descendere, subdomari, tolutim, quadrupedo, aduorsom cliuom, in procliui.
{"title":"HORSEPLAY IN PLAUTUS’ ASINARIA","authors":"Joanna Pieczonka","doi":"10.1017/s0009838824000016","DOIUrl":"https://doi.org/10.1017/s0009838824000016","url":null,"abstract":"\u0000 This article argues that the game presented in the third scene of the third act of Plautus’ Asinaria involves a horseplay rather than an assplay (Asin. 697–710). This is suggested by the young master's name, Argyrippus, and by a list of equine terms occurring in the text: uehere, inscendere, descendere, subdomari, tolutim, quadrupedo, aduorsom cliuom, in procliui.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141015275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-03DOI: 10.1017/s0009838824000351
Simon Trafford
In poem 40, through a series of rhetorical questions, Catullus confronts Ravidus about what made him commit such a foolish action as to fall in love with Catullus’ own lover. The poem ends with the lines: eris, quandoquidem meos amores | cum longa uoluisti amare poena, ‘You will be, since you have chosen to love my lover at the risk of receiving a long punishment’. There is a long-standing tradition of scholarship which testifies to the frequency with which Catullus incorporates wordplay in his poems, including bilingual puns. This essay proposes another such pun by arguing that Catullus is making a play on words through the homophony of the Latin verb eris and the Greek noun ἔρις.
在第 40 首诗中，卡图卢斯通过一连串的反问，质问拉维杜斯是什么让他做出如此愚蠢的举动，爱上了卡图卢斯自己的情人。这首诗最后写道：'eris, quandoquidem meos amores | cum longa uoluisti amare poena'，'你会的，因为你选择了爱我的爱人，冒着接受长期惩罚的风险'。卡图卢斯的诗歌中经常使用文字游戏，包括双语双关语，这一学术传统由来已久。这篇文章提出了另一种双关语，认为卡图卢斯通过拉丁语动词 eris 和希腊语名词 ἔρις 的同音来进行文字游戏。
{"title":"ERIS: A WORDPLAY IN CATULLUS 40","authors":"Simon Trafford","doi":"10.1017/s0009838824000351","DOIUrl":"https://doi.org/10.1017/s0009838824000351","url":null,"abstract":"\u0000 In poem 40, through a series of rhetorical questions, Catullus confronts Ravidus about what made him commit such a foolish action as to fall in love with Catullus’ own lover. The poem ends with the lines: eris, quandoquidem meos amores | cum longa uoluisti amare poena, ‘You will be, since you have chosen to love my lover at the risk of receiving a long punishment’. There is a long-standing tradition of scholarship which testifies to the frequency with which Catullus incorporates wordplay in his poems, including bilingual puns. This essay proposes another such pun by arguing that Catullus is making a play on words through the homophony of the Latin verb eris and the Greek noun ἔρις.","PeriodicalId":22560,"journal":{"name":"The Classical Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141017082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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