为好莱坞表演:埃斯特班Ramírez的加勒比/加勒比(2004)的殖民主义和旅游形象

Q2 Arts and Humanities Studies in Spanish & Latin American Cinemas Pub Date : 2018-06-01 DOI:10.1386/SLAC.15.2.249_1
L. Harvey-Kattou
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引用次数: 0

摘要

本文通过分析埃斯特班·拉米雷斯(Esteban Ramirez)的电影《加勒比/加勒比》(Caribe / Caribbean, 2004),提出了美国与哥斯达黎加的文化和意识形态关系问题,认为这部电影无意识地邀请国际观众通过游客的目光来殖民它。首先考虑拉米雷斯在电影情节中强调中美洲国家主权的反帝国主义立场,我认为这些目标通过空间和地点的异国化而被破坏。因此,本文将继续分析这个国家的热带形象是如何被电影内化的,并考虑到好莱坞对种族和性别的霸权比喻被模仿和表演。
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Performing for Hollywood: Coloniality and the tourist image in Esteban Ramírez’s Caribe/Caribbean (2004)
This article problematizes US-Costa Rican cultural and ideological relations through an analysis of the film Caribe / Caribbean (2004) by Esteban Ramirez, positing that the film unconsciously invites an international audience to colonize it via the tourist gaze. Beginning by considering Ramirez’s anti-imperialist stance within the film’s plot which underscores the sovereignty of the Central American nation, I argue that these aims are undone through the exoticization of space and place. This article therefore goes on to analyse the ways in which the tropical image of the nation is seen to be internalized by the film, as well as considering the hegemonic Hollywood tropes of ethnicity and gender which are mimicked and performed.
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CiteScore
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