布里亚特人传统观念与仪式中的布谷鸟形象

А. Badmaev
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The cuckoo image is also associated with the motif of werewolf, ideas about the evergreen needles acquisition by larch trees and the milk wine invention. In the Buryat epic, this bird often acts as a bearer of knowledge about the past and a wealth giver. The dual nature of the magical effect of the cuckoo’s voice was revealed: on the one hand, it can be beneficial for man and nature, on the other hand, it can destroy a person. The negative features of the cuckoo image are associated with the symbolism of death, which is reflected in folk signs, in particular in the superstition about the cuckoo ability to predict a person’s life expectancy.The third part of the article highlights the cuckoo image in the Buryats shamanic ritual. It has been established that it was localized in the shamanic rite of the Aghin Buryats, probably being a relic of totemism.Conclusion. The study shows that the cuckoo image in the mythological ideas of the Buryats is very ambiguous. 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引用次数: 0

摘要

目的。本研究致力于确定布里亚特人神话观念和传统仪式中布谷鸟的形象。文章的第一部分根据布里亚特民间传说的词汇和小体裁对布里亚特民间传说中的布谷鸟形象进行了概括的描述。人们发现布里亚特人特别注意到这种鸟的声音和身体的灵巧性,从它的其他生物特征。它还与一个人的消极特征如闲聊有关。研究的第二部分考察了布里亚特人关于布谷鸟的神话观念。人们发现布里亚特史诗中的布谷鸟是一种神圣的鸟,是天神意志的指挥者。它有一个女性的起源:人们相信女人死后会变成这只鸟,作为对放荡的美德和自杀的惩罚。杜鹃的形象也与狼人的主题、落叶松获得常绿针叶的想法和牛奶酒的发明有关。在布里亚特史诗中,这只鸟经常作为过去知识的承载者和财富的赐予者。布谷鸟声音的神奇效果的两重性被揭示出来:一方面,它可以对人类和自然有益,另一方面,它可以毁灭一个人。杜鹃形象的负面特征与死亡的象征有关,这反映在民间符号中,特别是杜鹃能够预测人的寿命的迷信中。文章的第三部分着重介绍布里亚特人萨满仪式中的布谷鸟形象。已经确定它是在阿钦布里亚特人的萨满仪式中,可能是图腾崇拜的遗物。研究表明布里亚特人神话观念中的布谷鸟形象是非常模糊的。这只鸟被尊为神圣的羽毛。它体现了女性原则。布谷鸟不仅具有太阳和天体的象征意义,而且还具有生育的象征意义,这表现在布谷鸟形象与自然节奏和更新的相关性上。这只鸟与神圣的树(萨满教的母亲树和世界树)有关。与此同时,杜鹃的形象也有负面的特征,主要是因为它与死亡的观念密切相关。研究表明,布里亚特人关于这种鸟的一些传统观念与欧亚大陆其他民族的神话概念相似,这可以通过它们的普遍性或类型学身份以及过去发生的跨文化接触来解释。
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The Cuckoo Image in the Buryats Traditional Concepts and Rituals
Purpose. The study is devoted to identifying the image of the cuckoo in the Buryats mythological ideas and traditional rituals.Results. In the first part of the work, a general description of the cuckoo image is given based on the vocabulary and small genres of the buryat folklore. It was found that the Buryats particularly noted the voice and physical dexterity of this bird from its other biological features. It was also associated with such a negative trait of a person as idle talk.The second part of the study examines the Buryats mythological ideas about the cuckoo. It was found out that the cuckoo appears in the Buryat epic as a sacred bird, a conductor of the celestials will. It has a feminine origin: women are believed to turn into this bird after death as a punishment for easy virtue and committing suicide. The cuckoo image is also associated with the motif of werewolf, ideas about the evergreen needles acquisition by larch trees and the milk wine invention. In the Buryat epic, this bird often acts as a bearer of knowledge about the past and a wealth giver. The dual nature of the magical effect of the cuckoo’s voice was revealed: on the one hand, it can be beneficial for man and nature, on the other hand, it can destroy a person. The negative features of the cuckoo image are associated with the symbolism of death, which is reflected in folk signs, in particular in the superstition about the cuckoo ability to predict a person’s life expectancy.The third part of the article highlights the cuckoo image in the Buryats shamanic ritual. It has been established that it was localized in the shamanic rite of the Aghin Buryats, probably being a relic of totemism.Conclusion. The study shows that the cuckoo image in the mythological ideas of the Buryats is very ambiguous. This bird was revered as a sacred feathered. It personified the feminine principle. The cuckoo was characterized by solar and celestial symbolism, in addition it acted as a fertility symbol, which was manifested in the correlation of the image with nature rhythms and renewal. This bird was associated with sacred trees (the shamanic Mother Tree and the World Tree). At the same time, the image of the cuckoo also had negative characteristics, primarily because it was closely associated with ideas about death.The study shows that some traditional ideas of the Buryats about this bird find parallels with the mythological concepts of other peoples of Eurasia, which is explained by their universality or typological identity and, probably, intercultural contacts that took place in the past.
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