经典艺术史教科书的演变

IF 0.2 0 ART Art Documentation Pub Date : 2020-03-01 DOI:10.1086/709684
J. Hérubel, Benjamin R. Sloan, M. Hannah
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引用次数: 0

摘要

艺术史学科在很大程度上依赖于视觉来传达意义。在美国高等教育体系中,教科书为入门课程提供了一种随时可用的便携工具。在介绍和涵盖艺术史上突出现象的调查文本中,这一点最为明显。在主要的竞争文本中,海伦·加德纳的《跨越时代的艺术》是出版时间最长的,有很多迭代。本文通过对随机选择的版本进行比较,探索各种书目元素,从而构建了规范文本对-à-vis在艺术史教师中持久突出的意义。章节、页码、附加书目的长度,以及视觉上的变化,包括图像、颜色、制图和图解插图,呈现出一种变化和适应性的出版演变,以响应这些文本不断变化的市场,以及随着时间的推移,教学和艺术史学科的变化。
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Evolution of a Canonical Art History Textbook
The discipline of art history relies heavily upon the visual to convey significance. Textbooks provide a readily available and portable conveyance for introductory courses in the American higher education system. Nowhere is this more evident than in the survey texts that introduce and cover salient phenomena in art history. Among the major competing texts, Helen Gardner’s Art through the Ages emerges as the longest published, with many iterations. This article frames the significance of a canonical text vis-à-vis its enduring prominence among art history faculty by exploring various bibliographic elements through comparison of randomly selected editions over time. Chapters, paginations, length of appended bibliographies, as well as changes in visuals, including images, coloration, cartographies, and diagrammatic illustrations, present a shifting and adaptive publishing evolution responsive to changing markets for such texts as well as pedagogical and art historical disciplinary changes over time.
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来源期刊
CiteScore
0.50
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0.00%
发文量
10
期刊最新文献
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