魏晋南北朝金银花图案在珠宝设计中的应用

Zhao Linqi, LI Juzi
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引用次数: 0

摘要

金银花图案是中国传统的图案。它于魏晋南北朝传入中国,并与汉代的云纹结合,形成独特的传统图案。其内在的文化内涵和设计理念是现代设计理论不可或缺的组成部分,研究这一时期的金银花图案,可以深入了解魏晋南北朝的历史文化。本文从相关文献入手,梳理了魏晋南北朝金银花图案的类型,并分析了其内在含义。本文还研究了金银花图案与现代首饰设计的关系,探讨了可行的制作工艺和材料。最后,将魏晋南北朝金银花图案的结构与文化内涵与现代珠宝设计相结合,进行设计实践。本文通过珠宝设计对中国传统纹样的传承,提出一些思考,希望能更好的将中国传统纹样融入到珠宝设计中,在不失去中国民族特色的前提下,呈现出具有现代审美的珠宝。
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Application of the Honeysuckle Pattern in the Wei, Jin, Southern and Northern Dynasties in Jewelry Design
The honeysuckle pattern is a traditional Chinese pattern. It was introduced into China in the Wei, Jin, and the Southern and Northern Dynasties and combined with the cloud pattern of the Han Dynasty to form the unique traditional pattern. Its inherent cultural meaning and design concept are indispensable parts of modern design theory, and the study of honeysuckle pattern in that period provides a deep understanding of the history and culture of the Wei, Jin, Southern and Northern Dynasties. The article starts with the relevant literature, sorts out the types of the honeysuckle patterns in the Wei, Jin, and the Southern and Northern Dynasties and analyzes their inner implications. This article also studies the relationship between the honeysuckle pattern and modern jewelry design and discusses the feasible manufacturing techniques and materials. Finally, the design practice is carried out by combining the structure and cultural connotation of the honeysuckle pattern of the Wei, Jin, Southern and Northern Dynasties with modern jewelry design. The article uses jewelry design to inherit Chinese traditional patterns and puts forward some thoughts, hoping to better integrate Chinese traditional patterns into jewelry design, and show a jewelry of modern aesthetic without losing China's national characteristics.
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