在线消费者餐厅评论中的民主幻觉

Morag Kobez
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引用次数: 1

摘要

长期以来,食物一直是一种文化资本,从历史上看,只有少数精英美食评论家才有权力将用餐体验归因于地位。可以说,社交媒体和数字媒体的兴起让任何人都可以扮演批评家的角色。与数字技术相关的壁垒降低了,再加上当代“美食娱乐”热潮,为业余爱好者打开了参与批判性烹饪话语的闸门。当代上流社会的用餐体验趋向于包括休闲、质朴和简单的食物,这表明食物势利的时代已经过去了。然而,这种“包罗万象”的概念可以被视为建立围绕高级食物的规则的另一种方式。约翰斯顿和鲍曼在美国的研究揭示了在杂食时代,食物写作中用来评价食物的两个框架:真实性和异国情调。在这个项目中,约翰斯顿和鲍曼的方法被发展并应用于澳大利亚的专业和业余评论。结果表明,澳大利亚专业评论经常使用区分框架,而业余评论则不使用;它的结论是,业余爱好者对烹饪话语的贡献是有限的。
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The Illusion of Democracy in Online Consumer Restaurant Reviews
Food has long served as a form of cultural capital, and historically it was an elite few food critics who held the power to ascribe status to dining experiences. The rise of social and digital media arguably allows anybody to adopt the role of critic. Lowered barriers associated with digital technologies, coupled with the contemporary 'foodatainment' boom have opened the floodgates for amateurs to weigh into the critical culinary discourse. The tendency for contemporary high-status dining experiences to include casual, rustic and simple foods suggests that the age of food snobbery is in the past. However, this notion of 'omnivorousness' can be viewed as an alternative means of establishing rules surrounding high-status foods. Johnston and Baumann's US research reveals two frames used in food writing to valorise foods in an omnivorous age: authenticity and exoticism. In this project, Johnston and Baumann's methodology is developed and applied to Australian professional and amateur reviews. Results show that Australian professional reviews frequently employ frames of distinction whereas amateur reviews do not; it concludes that the contribution by amateurs to the critical culinary discourse is limited.
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