德彪西小提琴和钢琴奏鸣曲:创造音乐形象的变化和重音

A. Kolbin, V. Boiko
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引用次数: 0

摘要

指法和重音是演奏者诠释的基础,正确选择指法和重音有助于最完整地理解和实现作曲家的思想。演奏者为创作音乐作品的艺术形象找到必要的音色和重音解决方案。在演奏音乐作品的过程中,特定指法的选择、重音的可变性、演奏的便利性等问题都是实际的,总是“摆在”演奏者面前。本文对德彪西《小提琴与钢琴》奏鸣曲中小提琴部分的音乐材料进行了探讨,强调了演奏版本在演绎创作中的必要性和重要性。
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SONATA FOR VIOLIN AND PIANO BY C.DEBUSSY: VARIABILITY AND ACCENTS IN CREATING OFF AN MUSICAL IMAGE
Fingerings and accents form the basis of the performer's interpretation, and their correct selection contributes to the most complete comprehension and implementation of the composer's idea. The performer finds the necessary timbre and the accental solutions for creating of artistic image of the musical composition. The questions of the choice of a particular fingering, the variability of accents, the convenience of playing in the process of playing a musical composition are practical and" stand " always before the performers. In this work, they are considered on the musical material of the violin part of the sonata for Violin and Piano by Claude Debussy, and the necessity and importance of performing editionis emphasizedin creating of the interpretation.
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