太平洋海洋文化背景下的赏金

Jean-Claude Teriierooiterai
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引用次数: 0

摘要

正如引言中所描述的那样,关于“赏金号”有很多书面的和电影的叙述。历史来源主要是英国人,事件大多是从英国人的角度来呈现的。这一章从太平洋岛民的视角,从格雷格·丹宁的名言——站在“海滩另一边”的人的视角,对《赏金》的叙述略有不同。它考察了欧洲探险家和太平洋岛民自第一次接触以来的互动,并通过对18世纪晚期太平洋海洋文化和遗产的仔细研究,比较了Bounty号前后英国和波利尼西亚的海洋文化。我们的目的是从波利尼西亚人的角度来描述邦蒂号,并为过去的太平洋岛民发声:那些长期被认为是“小人物”的人
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Contextualising the Bounty in Pacific Maritime Culture
As described in the Introduction, there have been many narratives – written and filmed – about the Bounty. Historical sources are mainly British, and events have been presented mostly from a British perspective. This chapter1 sheds a somewhat different light on Bounty narratives, coming from the perspective of indigenous Pacific Islanders – the perspective of those who stand on ‘the other side of the beach’, as Greg Dening famously put it. It examines the interactions between European explorers and Pacific Islanders since first contact and, through a close study of late 18th-century Pacific maritime culture and heritage, compares British and Polynesian maritime cultures around the time of the Bounty. The aim is to contextualise the Bounty from a Polynesian perspective and to give voice to the Pacific Islanders of the past: to those who have long been thought of as ‘little’.2
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Nordhoff and Hall’s Mutiny on the Bounty: A Piece of Colonial Historical Fiction A Ship is Burning: Jack London’s ‘The Seed of McCoy’ (Tales of the Pacific, 1911), or Sailing Away from Pitcairn Bounty Relics: Trading in the Legacy of Myth and Mutiny Contextualising the Bounty in Pacific Maritime Culture Reading the Bodies of the Bounty Mutineers
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