20世纪电影情节剧与奖杯电影:银幕话语

V. Myslavskyi, N. Markhaichuk
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引用次数: 0

摘要

这些专著作者的兴趣并不局限于电影。伊波利特·兹博洛夫茨是一位戏剧和文学史学家,著有相关专题专著:《米伦·斯捷普尼亚克:诗人诗歌中的传记》(2012年)、《小说的戏剧艺术》(2013年)、《乌克兰语言学家瓦西里·兹博洛夫茨的命运》、《戏剧、电影和电视的情节》(2014年)、《哈尔科夫贵族少女学院的奥莱克桑德拉·蒙德维德》(2015年)、《米伦·斯捷普尼亚克的孤独》(2015年)等。然而,作者从小就对电影产生了兴趣,当他还是一个男孩时,他就被电影的“魔力”所吸引。他看了他最喜欢的电影,收集了镜头,研究了几十次各种电影的结构。在他的专著中,作者不仅分析了电影过程的多个方面,而且很大程度上依赖于自己的印象。
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Twentieth-century Film Melodrama and Trophy Films: Screen Discourse
The interests of the author of these monographs are not limited to cinema. Ipolyt Zborovets is a historian of theatre, literature and author of relevant thematic monographs: “Myron Stepnyak: a Biography in the Poet's Poems” (2012), “The Theatre Arts of Fiction” (2013), “The Fate of Ukrainian Linguist Vasyl Zborovets”, “Plots for Theatre, Cinema and Television” (2014), “Oleksandra Montvid at the Kharkiv Institute of Noble Maidens'' (2015), “Myron Stepniak's Loneliness” (2015) and others. However, the author became interested in cinema since childhood, when he was still a boy fascinated by the “magic” of cinema. He viewed his favourite films, collected footage, and studied various films' structures dozens of times. In his monographs, the author not only analyses multiple aspects of the film process but also relies heavily on his own impressions.
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发文量
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