{"title":"阿芙拉·贝恩的改编:《漫游者》(1677)和《病人幻想爵士》(1678)的纸张和舞台资料","authors":"Claire Bowditch, E. Hobby","doi":"10.1353/hlq.2022.0007","DOIUrl":null,"url":null,"abstract":"abstract:As early as 1687, Gerard Langbaine noted the tendency of the most prolific Restoration playwrights to borrow from a plurality of sources for a single play. While Langbaine's identifications of playwrights' source materials, or \"thefts,\" have been widely expanded upon in recent decades, the precise nature (and implications) of such borrowings have been underexplored. This essay will demonstrate how close comparison between a Restoration play and its paper stage sources contributes to an understanding of what might be at issue in such \"thefts.\" This essay's focus is on two plays by Aphra Behn: The Rover (1677) and Sir Patient Fancy (1678).","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Aphra Behn's Adaptations: Paper and Stage Sources for The Rover (1677) and Sir Patient Fancy (1678)\",\"authors\":\"Claire Bowditch, E. Hobby\",\"doi\":\"10.1353/hlq.2022.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:As early as 1687, Gerard Langbaine noted the tendency of the most prolific Restoration playwrights to borrow from a plurality of sources for a single play. While Langbaine's identifications of playwrights' source materials, or \\\"thefts,\\\" have been widely expanded upon in recent decades, the precise nature (and implications) of such borrowings have been underexplored. This essay will demonstrate how close comparison between a Restoration play and its paper stage sources contributes to an understanding of what might be at issue in such \\\"thefts.\\\" This essay's focus is on two plays by Aphra Behn: The Rover (1677) and Sir Patient Fancy (1678).\",\"PeriodicalId\":45445,\"journal\":{\"name\":\"HUNTINGTON LIBRARY QUARTERLY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"HUNTINGTON LIBRARY QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/hlq.2022.0007\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATERIALS SCIENCE, CHARACTERIZATION & TESTING\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"HUNTINGTON LIBRARY QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/hlq.2022.0007","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATERIALS SCIENCE, CHARACTERIZATION & TESTING","Score":null,"Total":0}
Aphra Behn's Adaptations: Paper and Stage Sources for The Rover (1677) and Sir Patient Fancy (1678)
abstract:As early as 1687, Gerard Langbaine noted the tendency of the most prolific Restoration playwrights to borrow from a plurality of sources for a single play. While Langbaine's identifications of playwrights' source materials, or "thefts," have been widely expanded upon in recent decades, the precise nature (and implications) of such borrowings have been underexplored. This essay will demonstrate how close comparison between a Restoration play and its paper stage sources contributes to an understanding of what might be at issue in such "thefts." This essay's focus is on two plays by Aphra Behn: The Rover (1677) and Sir Patient Fancy (1678).
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