保证满意:Vaporwave中的技术东方主义

Lucy March
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引用次数: 1

摘要

在对在线电子音乐流派vaporwave的学术研究中,一个经常被忽视的特点是,它在其文本中使用了东亚文化意象。一个例外是音乐学家肯·麦克劳德(Ken McLeod)的作品,他将蒸汽波对日本文化的视觉参考与技术东方主义(techno-Orientalism)联系起来,这个术语描述了20世纪末日本经济扩张的偏执是如何在美国和欧洲的文化产品中表现出来的。本文扩展了麦克劳德的观点,展示了东亚文化元素在蒸汽波中的使用和复制如何强化了与技术东方主义表现的历史相一致的刻板印象,特别是在性别方面。本文详细阐述了蒸汽波场景的匿名性,使数字文物的技术东方主义分析方法复杂化。在此过程中,本文为越来越多的学术文献做出了贡献,这些文献涉及在线音乐流派社区形成中的角色表现、美学和影响。
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Satisfaction Guaranteed: Techno-Orientalism in Vaporwave
A characteristic frequently glossed over in scholarly examinations of the online electronic music genre vaporwave is its use of East Asian cultural imagery in its paratexts. One exception is a piece by musicologist Ken McLeod, who connects vaporwave’s use of visual references to Japanese culture to techno-Orientalism, a term that describes how paranoia around Japanese economic expansion in the late twentieth century manifested in American and European cultural products. This article extends McLeod's argument to show how the uses and reproductions of East Asian cultural elements in vaporwave serve to reinforce stereotypes consistent with histories of techno-Orientalist representations, particularly with regard to gender. This article elaborates on the anonymous nature of the vaporwave scene to complicate approaches to techno-Orientalist analyses of digital artifacts. In doing so, this essay contributes to the growing body of scholarly literature addressing the roles representation, aesthetics, and affect play in the formation of communities around music genres online.
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来源期刊
Amyotrophic Lateral Sclerosis
Amyotrophic Lateral Sclerosis 医学-临床神经学
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6-12 weeks
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