{"title":"2021年威尼斯建筑双年展:消失的建筑之谜","authors":"N. Harvey","doi":"10.16995/bst.7973","DOIUrl":null,"url":null,"abstract":"Architecturein the last century has been along a rollercoaster journey of reputation andpublic esteem. And like most such journeys, it had its start in the centurybefore. By the 1870’s many European architects felt their disciplinary spacewas subject to two incursions: firstly, as the German theorist Gottfried Semperput it, they had become mere specialists in ‘dressing’, covering with ornamentstructures exclusively designed by engineers; secondly, there was an increasingsense that such a vocabulary of ornament had, disappointingly, become mere historicalpastiche, and the past century of unprecedented technological progress had yetto produce its own style. ","PeriodicalId":37044,"journal":{"name":"Body, Space and Technology","volume":"34 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings\",\"authors\":\"N. Harvey\",\"doi\":\"10.16995/bst.7973\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Architecturein the last century has been along a rollercoaster journey of reputation andpublic esteem. And like most such journeys, it had its start in the centurybefore. By the 1870’s many European architects felt their disciplinary spacewas subject to two incursions: firstly, as the German theorist Gottfried Semperput it, they had become mere specialists in ‘dressing’, covering with ornamentstructures exclusively designed by engineers; secondly, there was an increasingsense that such a vocabulary of ornament had, disappointingly, become mere historicalpastiche, and the past century of unprecedented technological progress had yetto produce its own style. \",\"PeriodicalId\":37044,\"journal\":{\"name\":\"Body, Space and Technology\",\"volume\":\"34 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Body, Space and Technology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/bst.7973\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Body, Space and Technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/bst.7973","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings
Architecturein the last century has been along a rollercoaster journey of reputation andpublic esteem. And like most such journeys, it had its start in the centurybefore. By the 1870’s many European architects felt their disciplinary spacewas subject to two incursions: firstly, as the German theorist Gottfried Semperput it, they had become mere specialists in ‘dressing’, covering with ornamentstructures exclusively designed by engineers; secondly, there was an increasingsense that such a vocabulary of ornament had, disappointingly, become mere historicalpastiche, and the past century of unprecedented technological progress had yetto produce its own style.