绘画釉料中颜料分布的显微观察和离子束分析

L. Simonot, A. Zobelli, M. Elias, J. Salomon, J. Dran
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引用次数: 5

摘要

抽象画釉是油画中使用的彩色半透明层,在光学显微镜和扫描电子显微镜(SEM)的横截面上显示出颜料迁移的证据。目前的工作涉及使用两种互补的基于加速器的分析技术,粒子诱导x射线发射(PIXE)和卢瑟福后向散射光谱(RBS),以一种非破坏性的方式初步揭示实验釉上的这种现象。这些釉料是由分散在亚麻籽油介质中具有相同颜料含量的翠绿色颜料的连续添加层制备的。然后用pxie和RBS分别分析了它们在同一地点的体积元素组成和深度分布。结果表明,表面的颜料浓度随着层数的增加而增加,直至饱和值,从而揭示了颜料向表面的迁移。
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Microscopic Observations and Ion Beam Analyses of Pigment Distribution in Painting Glazes
Abstract Painting glazes, which are coloured translucent layers used in oil paintings, show evidence of pigment migration upon examination of cross sections with optical microscope and scanning electron microscope (SEM). The present work deals with the use of two complementary accelerator-based analytical techniques, Particle Induced X-ray Emission (PIXE) and Rutherford Back-scattering Spectrometry (RBS), to tentatively reveal such a phenomenon in a non destructive way on experimental glazes. These glazes were prepared by successive addition of layers of emerald green pigment dispersed in a linseed oil medium and having the same pigment content. They were then analysed by PIXE and RBS to provide respectively the bulk elemental composition and the depth distribution on the same spot. It is shown that the pigment concentration at the surface increases with the number of layers up to a saturation value, thus revealing the pigment migration toward the surface.
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